A key concern in my work is local distinctiveness: the subtle, often overlooked cultural forms through which a place asserts itself. Working in a deliberately non-hierarchical way, I place minor architectures and informal structures on equal footing with venerated heritage sites. Image sequencing thus becomes a central component of my methodology. Where architectural photography is often organised through typologies, my sequences operate more as ‘morphologies’. It is a fluid approach that views cultural forms and architectures as layered and interwoven, and the built environment as a platform for experimentation and change.