https://christopherlittlewood.com Christopher Littlewood Fri, 01 Sep 2023 20:18:55 +0000 https://christopherlittlewood.com en https://christopherlittlewood.com/Homepage-1 Thu, 19 Aug 2021 15:52:40 +0000 Christopher Littlewood https://christopherlittlewood.com/Homepage-1 https://christopherlittlewood.com/BOOKS-1 Thu, 19 Aug 2021 12:41:53 +0000 Christopher Littlewood https://christopherlittlewood.com/BOOKS-1 <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/fef466c32749749e68f6565ea6470794ed78b545cff394ead59312a3f6248a43/Christopher-Littlewood-Through-Monuments36.jpg" data-mid="176266065" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/fef466c32749749e68f6565ea6470794ed78b545cff394ead59312a3f6248a43/Christopher-Littlewood-Through-Monuments36.jpg" />THROUGH MONUMENTSForthcoming.. body { animation: fadeInAnimation ease 1s; animation-iteration-count: 1; animation-fill-mode: forwards; } @keyframes fadeInAnimation { 0% { opacity: 0; } 100% { opacity: 1; } } https://christopherlittlewood.com/WRITING Mon, 10 May 2021 12:53:30 +0000 Christopher Littlewood https://christopherlittlewood.com/WRITING <img width="1500" height="1103" width_o="1500" height_o="1103" data-src="https://freight.cargo.site/t/original/i/a543b02209c6b9c8bc55fa8d4d9715be6edd5eb8f171fa70b865b17ddc5817bd/Collective_Undoings_Photomonitor.jpg" data-mid="211837931" border="0" src="https://freight.cargo.site/w/1000/i/a543b02209c6b9c8bc55fa8d4d9715be6edd5eb8f171fa70b865b17ddc5817bd/Collective_Undoings_Photomonitor.jpg" />COLLECTIVE (UN)DOINGSPHOTOMONITOR <img width="1400" height="1030" width_o="1400" height_o="1030" data-src="https://freight.cargo.site/t/original/i/f74a0e506f138be3c88befcf3160682ac10bfecbc1dc13b0e9a7d79e420c2614/Oliver-Raymond-Barker-Trinty-essay.jpg" data-mid="204313474" border="0" src="https://freight.cargo.site/w/1000/i/f74a0e506f138be3c88befcf3160682ac10bfecbc1dc13b0e9a7d79e420c2614/Oliver-Raymond-Barker-Trinty-essay.jpg" />PROMONTORY OF THE SANCTUARYOLIVER RAYMOND BARKER, TRINITYNŌUA <img width="2080" height="1530" width_o="2080" height_o="1530" data-src="https://freight.cargo.site/t/original/i/2ac1fd0159378b3c8cddecaa978a4d04a8d92fafdfe607144cd752134b99f5d9/Scupltural_Entites_.jpg" data-mid="119392919" border="0" src="https://freight.cargo.site/w/1000/i/2ac1fd0159378b3c8cddecaa978a4d04a8d92fafdfe607144cd752134b99f5d9/Scupltural_Entites_.jpg" />BAD MUSEOLOGYGIOVANNA PETROCCHI, SCULPTURAL ENTITIESA CORNER WITH EDITIONS <img width="1500" height="1103" width_o="1500" height_o="1103" data-src="https://freight.cargo.site/t/original/i/ac19dfc6ab96e9d7d02eff9a9c881b08d31ee6acb58c6fc437b4f07f3d4b218a/Mona-Kuhn-works-Chris-Littlewood-Braid-of-Tales.jpg" data-mid="204535428" border="0" src="https://freight.cargo.site/w/1000/i/ac19dfc6ab96e9d7d02eff9a9c881b08d31ee6acb58c6fc437b4f07f3d4b218a/Mona-Kuhn-works-Chris-Littlewood-Braid-of-Tales.jpg" />A BRAID OF TALESMONA KUHN, WORKSTHAMES &amp; HUDSON <img width="1500" height="1104" width_o="1500" height_o="1104" data-src="https://freight.cargo.site/t/original/i/b7ba852f6c897b9ef44c11123abfdf8259db6572c392166aebf54695c33b6410/1000-words-cover-1500px.jpg" data-mid="204532971" border="0" src="https://freight.cargo.site/w/1000/i/b7ba852f6c897b9ef44c11123abfdf8259db6572c392166aebf54695c33b6410/1000-words-cover-1500px.jpg" />MATT LIPPS, LIBRARY1000 WORDS body { animation: fadeInAnimation ease 1s; animation-iteration-count: 1; animation-fill-mode: forwards; } @keyframes fadeInAnimation { 0% { opacity: 0; } 100% { opacity: 1; } } https://christopherlittlewood.com/News Fri, 01 Sep 2023 20:18:55 +0000 Christopher Littlewood https://christopherlittlewood.com/News <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b6783af370a23d50e1171199919e91a5d9565338001d8d4ff4e21809c5a54786/Christopher-Littlewood-Swahili-Morphology-71.jpg" data-mid="250295103" border="0" alt="Wasini Waterfront, 2026" data-caption="Wasini Waterfront, 2026" src="https://freight.cargo.site/w/1000/i/b6783af370a23d50e1171199919e91a5d9565338001d8d4ff4e21809c5a54786/Christopher-Littlewood-Swahili-Morphology-71.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/bdd39fda5c5cd1deab9b26d9d5bf0f9b38efbc544746e6c04ce99ae58114e0ec/Christopher-Littlewood-Swahili-Morphology-53.jpg" data-mid="250295109" border="0" alt="Pemba Mosque I, 2026" data-caption="Pemba Mosque I, 2026" src="https://freight.cargo.site/w/1000/i/bdd39fda5c5cd1deab9b26d9d5bf0f9b38efbc544746e6c04ce99ae58114e0ec/Christopher-Littlewood-Swahili-Morphology-53.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b6a31aa976461a5631bb8d4af210799b6fdc667cb86f5f90d78f66b0c52ba5dc/Christopher-Littlewood-Swahili-Morphology-77.jpg" data-mid="250295101" border="0" alt="Chwaka Ruins I, 2026" data-caption="Chwaka Ruins I, 2026" src="https://freight.cargo.site/w/1000/i/b6a31aa976461a5631bb8d4af210799b6fdc667cb86f5f90d78f66b0c52ba5dc/Christopher-Littlewood-Swahili-Morphology-77.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/563bc9fccdc57906d2006c6a188864c98b3758cee8e768b75a85be581c2d89b2/Christopher-Littlewood-Swahili-Morphology-64.jpg" data-mid="252879023" border="0" alt="Dar es Salaam Church I, 2026" data-caption="Dar es Salaam Church I, 2026" src="https://freight.cargo.site/w/1000/i/563bc9fccdc57906d2006c6a188864c98b3758cee8e768b75a85be581c2d89b2/Christopher-Littlewood-Swahili-Morphology-64.jpg" /> New works added to Swahili Morphology, 2026In Feb-Mar 2026, I returned to Tanzania and Kenya for a month to begin work on a new project looking at caves, geology and architecture. Whilst there, I also continued to expand on my ongoing body of work from the coast, deepening the research and photographic material towards a complete series and potential book. More new photographs can be viewed in the project section: ︎︎︎ Swahili Morphology <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6ece2e9c42dd5dbb14754fa271ab7e86ce42dae18e9993451e6ecd0a033fb6d8/Christopher-Littlewood-Swahili-Morphology-35.jpg" data-mid="253260985" border="0" alt="Kilwa Kisiwani Ruins I (Great Mosque), 2021" data-caption="Kilwa Kisiwani Ruins I (Great Mosque), 2021" src="https://freight.cargo.site/w/1000/i/6ece2e9c42dd5dbb14754fa271ab7e86ce42dae18e9993451e6ecd0a033fb6d8/Christopher-Littlewood-Swahili-Morphology-35.jpg" /> LagosPhoto Festival, 2025 “Kindred” group exhibition curated by Emmanuel Iduma and Ayọ̀bámi Adébáyọ̀ of Tender Photos. Participating photographers: Tommie Ominde, Fua Bilich, Nipah Dennis, Katia Golovko, Robert Lyons, Oyewole Lawal, Hana Gamal, Aly Hazzaa, Fawaz Oyedeji, Christopher Littlewood, Yassine El Attar, Sauda Dhlabo, Adediran Adetutu, Adedolapo Boluwatife, Thero Makepe, Neo Baepi, Abderrahmane Ajja, Francis Ogunyemi, Ollie Walker, Rachel Seidu, Neema Ngelime, Catherine Li, Jean Luc Andrianasolo, and Omoregie Osakpolor. At the LagosPhoto Festival, Tender Photos has curated Kindred, a constellation of 24 photographs and texts featured in the newsletter archive of Tender Photos. Showing an asynchronous cascade of images and blocks of text on adjacent walls, viewers are invited to match an image with its corresponding caption. Tender Photos’s “Kindred” series typically features a dual layer of images and commentary, where participants are invited to build on the platform’s growing archive by pairing a previously shared image with a new image of their choice. At LagosPhoto, the implication is that viewers can use the exhibited collection as a point of departure for drawing their own connections. The idea is also to highlight the “literature” involved in photography and the visual and spatial potentials of textuality. Embracing a fluidity and collectivity of language and authorship, the project integrates contemporary media and indigenous philosophy.Launched in 2010, LagosPhoto is an international photography festival presented in Nigeria. In a month long festival, events include exhibitions, workshops, artist presentations, discussions and large scale outdoor prints displayed throughout the city with the aim of reclaiming public spaces and engaging the general public with multifaceted stories of Africa. ︎︎︎ Tender Photos at the LagosPhoto Festival <img width="1400" height="2044" width_o="1400" height_o="2044" data-src="https://freight.cargo.site/t/original/i/a06d57ad08347c278ac892a228265bc2846be169ed53a00a268b36ae96c2e0e3/SA_23_35_030.jpg" data-mid="253261308" border="0" alt="Highway Infrastructure (Dismantled Billboards), 2023" data-caption="Highway Infrastructure (Dismantled Billboards), 2023" src="https://freight.cargo.site/w/1000/i/a06d57ad08347c278ac892a228265bc2846be169ed53a00a268b36ae96c2e0e3/SA_23_35_030.jpg" /> Photographic Exploration Project DE-CONSTRUCTEDGroup show at Loop – raum für aktuelle kunst, Berlin August, 2025 Work from an ongoing series made in Johannesburg is included in De-Constructed, a collective&nbsp;exhibition&nbsp;as part of PEP (Photographic Exploration Project), curated by Bénédicte Blondeau. Through a series of thematic projects, PEP aims to explore the photographic language in all its aspects. For Blondeau, photography is a form of communication using visual elements as pieces of a particular vocabulary or “visual lexicon”. The aspect of collectivity is central to the project, resulting in a plurality of perspectives along the given theme.&nbsp; “In an era marked by continuous change, where structures — social, personal, and visual — are constantly in flux, the selected works explore photography’s unique potential to question, dismantle, and reimagine reality. The participating artists approach the theme from diverse perspectives. Some examine architectural and urban environments as spaces of transformation, while others turn to the shifting terrain of identity, familial ties, and societal or political structures — capturing moments of vulnerability, transition, and renewal. Experimental approaches push the boundaries of photographic form, mirroring the fragmentation of contemporary experience. Several works engage with questions rooted in the natural world and geological layers of the earth, exploring how physical landscapes too can be sites of deconstruction and historical sedimentation. Through acts of deconstruction and reinterpretation, these works invite viewers to reconsider the narratives and frameworks that shape our understanding of the world.”︎︎︎ Photographic Exploration Project ︎︎︎&nbsp;Bénédicte Blondeau <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6ece2e9c42dd5dbb14754fa271ab7e86ce42dae18e9993451e6ecd0a033fb6d8/Christopher-Littlewood-Swahili-Morphology-35.jpg" data-mid="253260985" border="0" alt="Kilwa Kisiwani Ruins I (Great Mosque), 2021" data-caption="Kilwa Kisiwani Ruins I (Great Mosque), 2021" src="https://freight.cargo.site/w/1000/i/6ece2e9c42dd5dbb14754fa271ab7e86ce42dae18e9993451e6ecd0a033fb6d8/Christopher-Littlewood-Swahili-Morphology-35.jpg" /> “Why choose to take a photograph of an enfilade of archways? If the path leads anywhere the picture says little of what’s on the other end. Only that, without doubt, this pathway was built to allow passage. Hence it is at once a picture of the state of these archways as it is of a time now past. What might it seem like, then, to come to terms with the knowledge held in those cracks and blotches—to see through the multitude of feet for whom, as they approached this threshold, an elsewhere was possible?” — Emmanuel Iduma,&nbsp;Tender Photo Every week the writer Emmanuel Iduma features one photograph and the photographer who took it in his African photography newsletter Tender Photo. Photographers are invited to respond to their image plus there’s a short introductory note from the editor. Emmanuel hopes to reach readers willing to give some thought to how photography impacts their lives and shapes their perceptions.&nbsp; ︎︎︎ Tender Photo <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e0f19bf660c0e4f478ba34a06ad5928f9acc17eff8a4bb59ec14ed89ac3911f7/Christopher-Littlewood-Through-Monuments187.jpg" data-mid="253260077" border="0" alt="Old Blockhouse (Ghost), Pixley ka Seme District, 2023" data-caption="Old Blockhouse (Ghost), Pixley ka Seme District, 2023" src="https://freight.cargo.site/w/1000/i/e0f19bf660c0e4f478ba34a06ad5928f9acc17eff8a4bb59ec14ed89ac3911f7/Christopher-Littlewood-Through-Monuments187.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b64d0da4e455b6f8475ef84f61f13507c112630980032564d0e187b6264a90cc/Christopher-Littlewood-Through-Monuments43.jpg" data-mid="253260068" border="0" alt="Entrance to a Town, Xhariep, 2023" data-caption="Entrance to a Town, Xhariep, 2023" src="https://freight.cargo.site/w/1000/i/b64d0da4e455b6f8475ef84f61f13507c112630980032564d0e187b6264a90cc/Christopher-Littlewood-Through-Monuments43.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5a0734aa4b8451a7a4fc1452f93181cfdcd7c82f1967d3e41c37a8f1fb0bb1b4/Christopher-Littlewood-Through-Monuments74.jpg" data-mid="253260078" border="0" alt="Monument to Settler Migration III, Sara Baartman District, 2022" data-caption="Monument to Settler Migration III, Sara Baartman District, 2022" src="https://freight.cargo.site/w/1000/i/5a0734aa4b8451a7a4fc1452f93181cfdcd7c82f1967d3e41c37a8f1fb0bb1b4/Christopher-Littlewood-Through-Monuments74.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/7362d6b37b33165507f89caa15f420e17a7b11b4c23bc9da65496116732637e9/Christopher-Littlewood-Through-Monuments57.jpg" data-mid="253260069" border="0" alt="Memorial to a President IV (Air Crash Site), Ehlanzeni, 2021" data-caption="Memorial to a President IV (Air Crash Site), Ehlanzeni, 2021" src="https://freight.cargo.site/w/1000/i/7362d6b37b33165507f89caa15f420e17a7b11b4c23bc9da65496116732637e9/Christopher-Littlewood-Through-Monuments57.jpg" /> CAP Prize 2024, shortlist The Contemporary African Photography PrizeA portfolio of 15 images from my&nbsp;Through Monuments project has been shortlisted for the CAP prize, which has been awarded annually since 2012 for works created on the African continent, or which engage with the African diaspora. ︎︎︎ CAP Prize 2024 shortist ︎︎︎ Panel of Judges <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/1dba5b4fb492aefd15061f814b80f42e755a04368fd141829eee1b9572d767ab/Christopher-Littlewood-Through-Monuments131.jpg" data-mid="253375206" border="0" alt="Old Railway Line, Omaheke Region, 2023" data-caption="Old Railway Line, Omaheke Region, 2023" src="https://freight.cargo.site/w/1000/i/1dba5b4fb492aefd15061f814b80f42e755a04368fd141829eee1b9572d767ab/Christopher-Littlewood-Through-Monuments131.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/3c52e937e45b6149904e9872e7451e2626d6e8c470595e614faa4057ea529091/Christopher-Littlewood-Through-Monuments122.jpg" data-mid="253255543" border="0" alt="Ghost Mining Town II, ǁKharas Region, 2023" data-caption="Ghost Mining Town II, ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/3c52e937e45b6149904e9872e7451e2626d6e8c470595e614faa4057ea529091/Christopher-Littlewood-Through-Monuments122.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2a298e4c51e45802d6f55c171acd36766ec0608357b4bff38a27e194bda9e0cc/Christopher-Littlewood-Through-Monuments129.jpg" data-mid="253255544" border="0" alt="Ghost Mining Town I, ǁKharas Region, 2023" data-caption="Ghost Mining Town I, ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/2a298e4c51e45802d6f55c171acd36766ec0608357b4bff38a27e194bda9e0cc/Christopher-Littlewood-Through-Monuments129.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/5e1f7a8c32a0a94f8da229a0a4b2a76e12e72c3fb05ecc5a8d1af5b473fdc92b/Christopher-Littlewood-Through-Monuments134.jpg" data-mid="253255548" border="0" alt="Old Railway Outpost (Water Tanks), ǁKharas Region, 2023" data-caption="Old Railway Outpost (Water Tanks), ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/5e1f7a8c32a0a94f8da229a0a4b2a76e12e72c3fb05ecc5a8d1af5b473fdc92b/Christopher-Littlewood-Through-Monuments134.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/81122504d66a5496713f8bc4531064e9d8af708567a624bad3d1879074811d09/Christopher-Littlewood-Through-Monuments133.jpg" data-mid="253255547" border="0" alt="Old Military Bunker I, Omaheke Region, 2023" data-caption="Old Military Bunker I, Omaheke Region, 2023" src="https://freight.cargo.site/w/1000/i/81122504d66a5496713f8bc4531064e9d8af708567a624bad3d1879074811d09/Christopher-Littlewood-Through-Monuments133.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/da0e5a9d55211f2180df3601976d5c2fe96ce1ed9d8e6876ea91ceb11fcfb2a1/Christopher-Littlewood-Through-Monuments132.jpg" data-mid="253255546" border="0" alt="Old Military Bunker II, Omaheke Region, 2023" data-caption="Old Military Bunker II, Omaheke Region, 2023" src="https://freight.cargo.site/w/1000/i/da0e5a9d55211f2180df3601976d5c2fe96ce1ed9d8e6876ea91ceb11fcfb2a1/Christopher-Littlewood-Through-Monuments132.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/5a35cdce59eb4e12a4eac962e67c7f81165bf95f1d0f34877f3d0104d637e9e2/Christopher-Littlewood-Through-Monuments140.jpg" data-mid="253255551" border="0" alt="Artefact Assemblage III, ǁKharas Region, 2023" data-caption="Artefact Assemblage III, ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/5a35cdce59eb4e12a4eac962e67c7f81165bf95f1d0f34877f3d0104d637e9e2/Christopher-Littlewood-Through-Monuments140.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8267d14f1d86379cb882f3e2dd57278aa797cfc0f6cf5c963c4362275a710b01/Christopher-Littlewood-Through-Monuments141.jpg" data-mid="253255552" border="0" alt="Artefact Assemblage II, ǁKharas Region, 2023" data-caption="Artefact Assemblage II, ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/8267d14f1d86379cb882f3e2dd57278aa797cfc0f6cf5c963c4362275a710b01/Christopher-Littlewood-Through-Monuments141.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b684c8d3420462e53cfdd9bae3181069ff3551f728fa609aebe9d8790fb5c492/Christopher-Littlewood-Through-Monuments142.jpg" data-mid="253255553" border="0" alt="Memorial to a Freedom Fighter I, Omaheke Region, 2023" data-caption="Memorial to a Freedom Fighter I, Omaheke Region, 2023" src="https://freight.cargo.site/w/1000/i/b684c8d3420462e53cfdd9bae3181069ff3551f728fa609aebe9d8790fb5c492/Christopher-Littlewood-Through-Monuments142.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/73ec906de3492ef7d6fa5e91d459210ab6591579d996bc7285a3fdae07d28660/Christopher-Littlewood-Through-Monuments137.jpg" data-mid="253255549" border="0" alt="Memorial to a Freedom Fighter II, Omaheke Region, 2023" data-caption="Memorial to a Freedom Fighter II, Omaheke Region, 2023" src="https://freight.cargo.site/w/1000/i/73ec906de3492ef7d6fa5e91d459210ab6591579d996bc7285a3fdae07d28660/Christopher-Littlewood-Through-Monuments137.jpg" /> <img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/ea652351fefe3774a6ef67d444f5ac3bdcb68665b5d2659cd1a6107a85a664c2/Christopher-Littlewood-Through-Monuments143.jpg" data-mid="253255554" border="0" alt="Artefact Assemblage I, ǁKharas Region, 2023" data-caption="Artefact Assemblage I, ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/ea652351fefe3774a6ef67d444f5ac3bdcb68665b5d2659cd1a6107a85a664c2/Christopher-Littlewood-Through-Monuments143.jpg" /> <img width="2200" height="2200" width_o="2200" height_o="2200" data-src="https://freight.cargo.site/t/original/i/938d19fe0141add9e9e8147708b0b79cb5e3f6f15c4208e54e8e98a2b36b33d2/Christopher-Littlewood-Through-Monuments138-landing-page.jpg" data-mid="253255550" border="0" alt="Old Oil Rig V, Skeleton Coast, 2023" data-caption="Old Oil Rig V, Skeleton Coast, 2023" src="https://freight.cargo.site/w/1000/i/938d19fe0141add9e9e8147708b0b79cb5e3f6f15c4208e54e8e98a2b36b33d2/Christopher-Littlewood-Through-Monuments138-landing-page.jpg" /> Hariban Award 2023, Honourable MentionThrough Monuments (Namibia)Postcolonial Southern Africa is a place that enacts a continuous tension between its architectural constructions, its natural surroundings and the weight of racist historical ideologies. Through memorials, monuments, sites of cultural significance and other commemorative topologies, these photographs ruminate on these tensions within a contemporary Namibian context. In the drylands of this sparsely populated region, heritage sites are rendered indistinct by the shifting tides of dust and sandstorms. Forming a subset within the broader Through Monuments project (2019-ongoing), which expands to include the entangled histories of South Africa, Namibia and Zimbabwe, the work explores how collective memory is expressed through superimposed material cultures. This chapter focuses on the railway lines that serviced diamond mining towns and military outposts, together with the area known as the Skeleton Coast, where shipwrecks, defunct oil rigs and other ruins lie strewn across the Namib Desert. In the words of James Baldwin, "As we consider what role monuments play in our culture, it's the historical context, not the mythology, that we must remember." In that spirit, Through Monuments is not grouped following any chronological narrative. Instead, the photographs are sequenced according to the aesthetics of built form, material texture and decorative motif. Thereby encouraging the reading of monuments - not in terms of the events or personalities they purport to represent - but rather as a set of languages that reflect the context from which they emerged. Presented by Benrido, the Hariban Award combines a 170-year-old analogue technique with contemporary photography. Glass plates have been used as the base for collotype printing plates which still continues today. The award is called “Hariban” as “Hari” means glass plate, and “ban” means printing plate in Japanese. 2023 Jury: Nestan Nijaradze, Rei Masuda, Awoiska van der Molan, Sarah Greene&nbsp; More info&nbsp;︎︎︎ Hariban Award body { animation: fadeInAnimation ease 1s; animation-iteration-count: 1; animation-fill-mode: forwards; } @keyframes fadeInAnimation { 0% { opacity: 0; } 100% { opacity: 1; } } https://christopherlittlewood.com/Swahili-Morphology-1 Sat, 03 Oct 2020 13:03:11 +0000 Christopher Littlewood https://christopherlittlewood.com/Swahili-Morphology-1 &nbsp; <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/9d9179200e2b8def165644719937b7e73b8db500d5b5ad372caeb23ac8da5bfc/Christopher_Littlewood_Kenya_Tanzania6.jpg" data-mid="102667857" border="0" alt="Lamu Museum, 2017" data-caption="Lamu Museum, 2017" src="https://freight.cargo.site/w/1000/i/9d9179200e2b8def165644719937b7e73b8db500d5b5ad372caeb23ac8da5bfc/Christopher_Littlewood_Kenya_Tanzania6.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5e6f2f611149aa97569c8e01048097ba112d844fe8978eb8fdbd7d4858a7882b/Christopher-Littlewood-Swahili-Morphology-5.jpg" data-mid="252892927" border="0" alt="Zanzibar Courtyard I, 2021" data-caption="Zanzibar Courtyard I, 2021" src="https://freight.cargo.site/w/1000/i/5e6f2f611149aa97569c8e01048097ba112d844fe8978eb8fdbd7d4858a7882b/Christopher-Littlewood-Swahili-Morphology-5.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/bc164264f765b089736438febe212f918d5238da0ba04b9673b0ca08d0f66faf/Christopher-Littlewood-Swahili-Morphology-3.jpg" data-mid="252893050" border="0" alt="Lamu Townhouse, 2019" data-caption="Lamu Townhouse, 2019" src="https://freight.cargo.site/w/1000/i/bc164264f765b089736438febe212f918d5238da0ba04b9673b0ca08d0f66faf/Christopher-Littlewood-Swahili-Morphology-3.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/1f40563b5cdbb0e3b131c18478b362ef8f6b4db0dc5d9ec0509cc65d8561f7ab/Christopher_Littlewood_Kenya_Tanzania7.jpg" data-mid="102581553" border="0" alt="Saba Residency I, 2019" data-caption="Saba Residency I, 2019" src="https://freight.cargo.site/w/1000/i/1f40563b5cdbb0e3b131c18478b362ef8f6b4db0dc5d9ec0509cc65d8561f7ab/Christopher_Littlewood_Kenya_Tanzania7.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/525eacf994f335be891726b5e57e578ae014ac276a447556d037ed2bcd19e9a4/Christopher_Littlewood_Kenya_Tanzania8.jpg" data-mid="102581554" border="0" alt="Shamba Path, 2019" data-caption="Shamba Path, 2019" src="https://freight.cargo.site/w/1000/i/525eacf994f335be891726b5e57e578ae014ac276a447556d037ed2bcd19e9a4/Christopher_Littlewood_Kenya_Tanzania8.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4c2bc617a62051e6752f39354db7dca5f5358b54316190d37f7502871351d106/Christopher_Littlewood_Kenya_Tanzania11.jpg" data-mid="102581647" border="0" alt="Lamu Kidaka I, 2019" data-caption="Lamu Kidaka I, 2019" src="https://freight.cargo.site/w/1000/i/4c2bc617a62051e6752f39354db7dca5f5358b54316190d37f7502871351d106/Christopher_Littlewood_Kenya_Tanzania11.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5952992a73afbf9ffc79d632ca4d3276b2ad17a8891cd4720ed2f01a5f44a2ad/Christopher-Littlewood-Swahili-Morphology-7.jpg" data-mid="250291651" border="0" alt="Lamu Kidaka II (Tribute to Neeru), 2017" data-caption="Lamu Kidaka II (Tribute to Neeru), 2017" src="https://freight.cargo.site/w/1000/i/5952992a73afbf9ffc79d632ca4d3276b2ad17a8891cd4720ed2f01a5f44a2ad/Christopher-Littlewood-Swahili-Morphology-7.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/d720ab3b0846caf34b5395ad2b69f3f4b4ca60c7af0444bed7867a46eb16a4b4/Christopher_Littlewood_Kenya_Tanzania9.jpg" data-mid="102581645" border="0" alt="Lamu Workshop, 2019" data-caption="Lamu Workshop, 2019" src="https://freight.cargo.site/w/1000/i/d720ab3b0846caf34b5395ad2b69f3f4b4ca60c7af0444bed7867a46eb16a4b4/Christopher_Littlewood_Kenya_Tanzania9.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b04310f7de037a7452b061861599f0668b8d38d6fcfdd13fe5f52bfa7d81d00a/Christopher_Littlewood_Kenya_Tanzania12.jpg" data-mid="102581778" border="0" alt="Lamu Alley I, 2017" data-caption="Lamu Alley I, 2017" 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src="https://freight.cargo.site/w/1000/i/bf71692b7199f0284e487a82ca6f92afae1518f46421d8db2dc328e98dcd1eab/Christopher-Littlewood-Swahili-Morphology-73.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/a2ed03faee846205c3027279cfaa7292256c593c4de6c6ca246ee0d1e565877b/Christopher_Littlewood_Kenya_Tanzania28.jpg" data-mid="102582549" border="0" alt="Saba Residency III, 2019" data-caption="Saba Residency III, 2019" src="https://freight.cargo.site/w/1000/i/a2ed03faee846205c3027279cfaa7292256c593c4de6c6ca246ee0d1e565877b/Christopher_Littlewood_Kenya_Tanzania28.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/ab4a2552626513ce7df85962c8bbee0dcb6b50fe38ca40a79eb69fc3e49e115e/Christopher-Littlewood-Swahili-Morphology-21.jpg" data-mid="170331999" border="0" alt="Uyombo Quarry I, 2019" data-caption="Uyombo Quarry I, 2019" 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src="https://freight.cargo.site/w/1000/i/1f96b39f0d91976360586cb66e05da3dd4747a285c08d18892aad99ff048fb65/Christopher-Littlewood-Swahili-Morphology-22.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/92b9392cf8a6da791148243eafba2c9938f1d38cdb09759f91a54e9061cb94b2/Christopher-Littlewood-Swahili-Morphology-20.jpg" data-mid="247822992" border="0" alt="Zanzibar Ruins I, 2019" data-caption="Zanzibar Ruins I, 2019" src="https://freight.cargo.site/w/1000/i/92b9392cf8a6da791148243eafba2c9938f1d38cdb09759f91a54e9061cb94b2/Christopher-Littlewood-Swahili-Morphology-20.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/c252fa521e909efdf0b1fdbf8fceeefe644ce52de7527240887a1969c53d5757/Christopher-Littlewood-Swahili-Morphology-65.jpg" data-mid="250291518" border="0" alt="Pujini Ruins I, 2026" data-caption="Pujini Ruins I, 2026" src="https://freight.cargo.site/w/1000/i/c252fa521e909efdf0b1fdbf8fceeefe644ce52de7527240887a1969c53d5757/Christopher-Littlewood-Swahili-Morphology-65.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/ab8607bd7b2362749b259e4829bbc97d3977bf70d681502ad3c13c063cb7810c/Christopher-Littlewood-Swahili-Morphology-23.jpg" data-mid="247822913" border="0" alt="Gede Ruins II, 2022" data-caption="Gede Ruins II, 2022" src="https://freight.cargo.site/w/1000/i/ab8607bd7b2362749b259e4829bbc97d3977bf70d681502ad3c13c063cb7810c/Christopher-Littlewood-Swahili-Morphology-23.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c53a5831065afcd0af5835935551c4ecbd943d881f77c074d583e8731ff77c50/Christopher-Littlewood-Swahili-Morphology-66.jpg" data-mid="250190655" border="0" alt="Ras Kiuyu Quarry I, 2026" data-caption="Ras Kiuyu Quarry I, 2026" src="https://freight.cargo.site/w/1000/i/c53a5831065afcd0af5835935551c4ecbd943d881f77c074d583e8731ff77c50/Christopher-Littlewood-Swahili-Morphology-66.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c4062e911ff1827205e7c69424a4de070424050c20f5789488a5d47335839506/Christopher-Littlewood-Swahili-Morphology-62.jpg" data-mid="250190797" border="0" alt="Kichokochwe Ruins II, 2026" data-caption="Kichokochwe Ruins II, 2026" src="https://freight.cargo.site/w/1000/i/c4062e911ff1827205e7c69424a4de070424050c20f5789488a5d47335839506/Christopher-Littlewood-Swahili-Morphology-62.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/195dca99bb139c32b32bc2dc7a96da00f1c2ada00a33aabae47301838904aec1/Christopher-Littlewood-Swahili-Morphology-25.jpg" data-mid="247822914" border="0" alt="Dar es Salaam Campus III, 2019" data-caption="Dar es Salaam Campus III, 2019" src="https://freight.cargo.site/w/1000/i/195dca99bb139c32b32bc2dc7a96da00f1c2ada00a33aabae47301838904aec1/Christopher-Littlewood-Swahili-Morphology-25.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/91ca870c56b02eb1b490dedc792d5fe99c3225f857a753ace7160913563b5f64/Christopher-Littlewood-Swahili-Morphology-24.jpg" data-mid="243294345" border="0" alt="Dar es Salaam Campus IV, 2021" data-caption="Dar es Salaam Campus IV, 2021" src="https://freight.cargo.site/w/1000/i/91ca870c56b02eb1b490dedc792d5fe99c3225f857a753ace7160913563b5f64/Christopher-Littlewood-Swahili-Morphology-24.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4da3a00afbe0275fb8fcd6047ca96574ed4c40cf21d84ae2f7cfdcae7f8d2aed/Christopher-Littlewood-Swahili-Morphology-26.jpg" data-mid="204682776" border="0" alt="Dar es Salaam Campus V, 2021" data-caption="Dar es Salaam Campus V, 2021" src="https://freight.cargo.site/w/1000/i/4da3a00afbe0275fb8fcd6047ca96574ed4c40cf21d84ae2f7cfdcae7f8d2aed/Christopher-Littlewood-Swahili-Morphology-26.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/04c75c43313947e982b4127a75b7331f649d521ccdf02dd721ad6475f1d77053/Christopher_Littlewood_Kenya_Tanzania31.jpg" data-mid="124737945" border="0" alt="Zanzibar Rooftop I, 2021" data-caption="Zanzibar Rooftop I, 2021" src="https://freight.cargo.site/w/1000/i/04c75c43313947e982b4127a75b7331f649d521ccdf02dd721ad6475f1d77053/Christopher_Littlewood_Kenya_Tanzania31.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/8b9dc1ba1903396c6f73a242435eb60e037ef822e2347ae5906fe6dfbe32fa4b/Christopher-Littlewood-Swahili-Morphology-33.jpg" data-mid="244674899" border="0" alt="Kilifi Complex I, 2021" data-caption="Kilifi Complex I, 2021" src="https://freight.cargo.site/w/1000/i/8b9dc1ba1903396c6f73a242435eb60e037ef822e2347ae5906fe6dfbe32fa4b/Christopher-Littlewood-Swahili-Morphology-33.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e3ab1c8c4bc01da4f4a3218464f1a79c0cce25b9cc096886a42fc49ab20c6962/Christopher_Littlewood_Kenya_Tanzania30.jpg" data-mid="191277684" border="0" alt="Zanzibar Colonnade, 2019" data-caption="Zanzibar Colonnade, 2019" src="https://freight.cargo.site/w/1000/i/e3ab1c8c4bc01da4f4a3218464f1a79c0cce25b9cc096886a42fc49ab20c6962/Christopher_Littlewood_Kenya_Tanzania30.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b9fef75c1a9c328a9a6fb44a1836cb8a2814db413f16fd263fa6490b58d980b5/Christopher-Littlewood-Swahili-Morphology-32.jpg" data-mid="168763599" border="0" alt="Dar es Salaam Campus VI, 2021" data-caption="Dar es Salaam Campus VI, 2021" src="https://freight.cargo.site/w/1000/i/b9fef75c1a9c328a9a6fb44a1836cb8a2814db413f16fd263fa6490b58d980b5/Christopher-Littlewood-Swahili-Morphology-32.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/2d05d066ba16b2eceb22fb9caedc220b561558cbfed96881c0fb0e544ccca3d3/Christopher_Littlewood_Kenya_Tanzania26.jpg" data-mid="102582436" border="0" alt="Lamu Minaret, 2017" data-caption="Lamu Minaret, 2017" src="https://freight.cargo.site/w/1000/i/2d05d066ba16b2eceb22fb9caedc220b561558cbfed96881c0fb0e544ccca3d3/Christopher_Littlewood_Kenya_Tanzania26.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3dd4513adb362d14edd422c285fed3b9f11391540c212735c55e8a08164019b8/Christopher-Littlewood-Swahili-Morphology-56.jpg" data-mid="248674664" border="0" alt="Pemba Village, 2026" data-caption="Pemba Village, 2026" src="https://freight.cargo.site/w/1000/i/3dd4513adb362d14edd422c285fed3b9f11391540c212735c55e8a08164019b8/Christopher-Littlewood-Swahili-Morphology-56.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5c33baa87985486cda38a9a0c544362a1aabc3f35f8c7eff1715fd70318e51b8/Christopher-Littlewood-Swahili-Morphology-55.jpg" data-mid="250191379" border="0" alt="Tanga Mosque, 2026" data-caption="Tanga Mosque, 2026" src="https://freight.cargo.site/w/1000/i/5c33baa87985486cda38a9a0c544362a1aabc3f35f8c7eff1715fd70318e51b8/Christopher-Littlewood-Swahili-Morphology-55.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/bdd39fda5c5cd1deab9b26d9d5bf0f9b38efbc544746e6c04ce99ae58114e0ec/Christopher-Littlewood-Swahili-Morphology-53.jpg" data-mid="248676465" border="0" alt="Pemba Mosque I, 2026" data-caption="Pemba Mosque I, 2026" src="https://freight.cargo.site/w/1000/i/bdd39fda5c5cd1deab9b26d9d5bf0f9b38efbc544746e6c04ce99ae58114e0ec/Christopher-Littlewood-Swahili-Morphology-53.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/dda3129b24b141cdd907ec6c9d5036cec618896bf945ebdf01edc6c39b6f3a7a/Christopher-Littlewood-Swahili-Morphology-35.jpg" data-mid="238552497" border="0" alt="Kilwa Kisiwani Ruins I (Great Mosque), 2021" data-caption="Kilwa Kisiwani Ruins I (Great Mosque), 2021" src="https://freight.cargo.site/w/1000/i/dda3129b24b141cdd907ec6c9d5036cec618896bf945ebdf01edc6c39b6f3a7a/Christopher-Littlewood-Swahili-Morphology-35.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0004cf192616bce727d1544601f6427b1daffc745b407e8ac429610d99193f00/Christopher-Littlewood-Swahili-Morphology-37.jpg" data-mid="244637223" border="0" alt="Bagamoyo Boma, 2019" data-caption="Bagamoyo Boma, 2019" src="https://freight.cargo.site/w/1000/i/0004cf192616bce727d1544601f6427b1daffc745b407e8ac429610d99193f00/Christopher-Littlewood-Swahili-Morphology-37.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/76897974b52b0e2384c62d3dda3143a9f92065dc9e4ce5a78d36fbc41c9143ab/Christopher-Littlewood-Swahili-Morphology-49.jpg" data-mid="247616655" border="0" alt="Dar es Salaam Campus VIII (Nkrumah Hall), 2019" data-caption="Dar es Salaam Campus VIII (Nkrumah Hall), 2019" src="https://freight.cargo.site/w/1000/i/76897974b52b0e2384c62d3dda3143a9f92065dc9e4ce5a78d36fbc41c9143ab/Christopher-Littlewood-Swahili-Morphology-49.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e66b5a4d95447d259d3ea3c90145bb09446c45e0c454b6151a86294a33d0953c/Christopher-Littlewood-Swahili-Morphology-50.jpg" data-mid="244624650" border="0" alt="Dar es Salaam Campus VII (Nkrumah Hall), 2021" data-caption="Dar es Salaam Campus VII (Nkrumah Hall), 2021" src="https://freight.cargo.site/w/1000/i/e66b5a4d95447d259d3ea3c90145bb09446c45e0c454b6151a86294a33d0953c/Christopher-Littlewood-Swahili-Morphology-50.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5dcb23dbb4f77cc865713a2ac0ec0477042da2d074d2d03dad3d4c6b6bfb64a1/Christopher-Littlewood-Swahili-Morphology-39.jpg" data-mid="244674824" border="0" alt="Ubungo Mosque, 2021" data-caption="Ubungo Mosque, 2021" src="https://freight.cargo.site/w/1000/i/5dcb23dbb4f77cc865713a2ac0ec0477042da2d074d2d03dad3d4c6b6bfb64a1/Christopher-Littlewood-Swahili-Morphology-39.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3b3046531322dc4ca5adcb615964921a2de642fcdaba61ed8dd04e781c190703/Christopher-Littlewood-Swahili-Morphology-34.jpg" data-mid="165791396" border="0" alt="Kilifi Complex II, 2021" data-caption="Kilifi Complex II, 2021" src="https://freight.cargo.site/w/1000/i/3b3046531322dc4ca5adcb615964921a2de642fcdaba61ed8dd04e781c190703/Christopher-Littlewood-Swahili-Morphology-34.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b6a31aa976461a5631bb8d4af210799b6fdc667cb86f5f90d78f66b0c52ba5dc/Christopher-Littlewood-Swahili-Morphology-77.jpg" data-mid="250191526" border="0" alt="Chwaka Ruins I, 2026" data-caption="Chwaka Ruins I, 2026" src="https://freight.cargo.site/w/1000/i/b6a31aa976461a5631bb8d4af210799b6fdc667cb86f5f90d78f66b0c52ba5dc/Christopher-Littlewood-Swahili-Morphology-77.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/563bc9fccdc57906d2006c6a188864c98b3758cee8e768b75a85be581c2d89b2/Christopher-Littlewood-Swahili-Morphology-64.jpg" data-mid="250191669" border="0" alt="Dar es Salaam Church I, 2026" data-caption="Dar es Salaam Church I, 2026" src="https://freight.cargo.site/w/1000/i/563bc9fccdc57906d2006c6a188864c98b3758cee8e768b75a85be581c2d89b2/Christopher-Littlewood-Swahili-Morphology-64.jpg" /> &nbsp; &nbsp; &nbsp;&nbsp; https://christopherlittlewood.com/Organised-Island-1 Wed, 23 Sep 2020 11:01:26 +0000 Christopher Littlewood https://christopherlittlewood.com/Organised-Island-1 <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e8ff12fe04de9861661b32dc7f40b58ea0c49d00753b9d7532c70990d23a6a28/Christopher_Littlewood_Organised_Island_Mozambique1.jpg" data-mid="102868587" border="0" alt="Hazard I, Pemba, 2014" data-caption="Hazard I, Pemba, 2014" src="https://freight.cargo.site/w/1000/i/e8ff12fe04de9861661b32dc7f40b58ea0c49d00753b9d7532c70990d23a6a28/Christopher_Littlewood_Organised_Island_Mozambique1.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c0d7b521b304b9c32e02cbc98b6b67224afbf92858fe3fa7b4a2cd9b6cbf9818/Christopher_Littlewood_Organised_Island_Mozambique2.jpg" data-mid="102866233" border="0" alt="Skin, Maputo, 2012" data-caption="Skin, Maputo, 2012" src="https://freight.cargo.site/w/1000/i/c0d7b521b304b9c32e02cbc98b6b67224afbf92858fe3fa7b4a2cd9b6cbf9818/Christopher_Littlewood_Organised_Island_Mozambique2.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3e9b5aeca7f38056b436fa0d385d1543915ba7f9bf15f37b4ef16144a3441fbb/Christopher_Littlewood_Organised_Island_Mozambique4.jpg" data-mid="102866240" border="0" alt="Hazard II, Ilha de Mo&ccedil;ambique, 2014" data-caption="Hazard II, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/3e9b5aeca7f38056b436fa0d385d1543915ba7f9bf15f37b4ef16144a3441fbb/Christopher_Littlewood_Organised_Island_Mozambique4.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e3c32d24b13134e37292a461faeb3c6e2beccd945cd992a5f0c4275609c003b4/Christopher_Littlewood_Organised_Island_Mozambique3.jpg" data-mid="102866238" border="0" alt="Ring, Beira, 2014" data-caption="Ring, Beira, 2014" src="https://freight.cargo.site/w/1000/i/e3c32d24b13134e37292a461faeb3c6e2beccd945cd992a5f0c4275609c003b4/Christopher_Littlewood_Organised_Island_Mozambique3.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c0092849d4c18779d6c7a05133f298c5b157f53087c7b027f4001330e2148a6c/Christopher_Littlewood_Organised_Island_Mozambique5.jpg" data-mid="115182219" border="0" alt="Vessel, Ibo Island, 2014" data-caption="Vessel, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/c0092849d4c18779d6c7a05133f298c5b157f53087c7b027f4001330e2148a6c/Christopher_Littlewood_Organised_Island_Mozambique5.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/63666abb5219f89fa5da0f25132a24bb669a69b04e1b6b6a8723de135ae8a86c/Christopher_Littlewood_Organised_Island_Mozambique6.jpg" data-mid="102866244" border="0" alt="Weave, Ibo Island, 2014" data-caption="Weave, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/63666abb5219f89fa5da0f25132a24bb669a69b04e1b6b6a8723de135ae8a86c/Christopher_Littlewood_Organised_Island_Mozambique6.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5ab97fe6b28d09a06a3a38bca835217705416befb3b182454355ba8f4d3a3e4c/Christopher_Littlewood_Organised_Island_Mozambique7.jpg" data-mid="102869040" border="0" alt="Coil, Ibo Island, 2014" data-caption="Coil, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/5ab97fe6b28d09a06a3a38bca835217705416befb3b182454355ba8f4d3a3e4c/Christopher_Littlewood_Organised_Island_Mozambique7.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/cc6aa33b5cfedfd4294502437ab07df7dfca14da2efb7ff19586dd47f77a0153/Christopher_Littlewood_Organised_Island_Mozambique8.jpg" data-mid="102868866" border="0" alt="Framework, Ibo Island, 2012" data-caption="Framework, Ibo Island, 2012" src="https://freight.cargo.site/w/1000/i/cc6aa33b5cfedfd4294502437ab07df7dfca14da2efb7ff19586dd47f77a0153/Christopher_Littlewood_Organised_Island_Mozambique8.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/331a7abd3bbfdf03b955dfcadd639f9541b9f2526314eeee4a550f71d92bbbd7/Christopher_Littlewood_Organised_Island_Mozambique9.jpg" data-mid="116295302" border="0" alt="Infrastructure, Ibo Island, 2014" data-caption="Infrastructure, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/331a7abd3bbfdf03b955dfcadd639f9541b9f2526314eeee4a550f71d92bbbd7/Christopher_Littlewood_Organised_Island_Mozambique9.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/38b106b8a60a72bbd9ed748f16c7f773bb79ce855d6560ab9b73502419369cf3/Christopher_Littlewood_Organised_Island_Mozambique13.jpg" data-mid="102869216" border="0" alt="Slave I, Ilha de Mo&ccedil;ambique, 2014" data-caption="Slave I, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/38b106b8a60a72bbd9ed748f16c7f773bb79ce855d6560ab9b73502419369cf3/Christopher_Littlewood_Organised_Island_Mozambique13.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/73f1e14d8c661044c42ed44b2475f0d7db088f2d3a12ed55371675e6c486c33b/Christopher_Littlewood_Organised_Island_Mozambique10.jpg" data-mid="115181476" border="0" alt="Mirror, Ilha de Mo&ccedil;ambique, 2014" data-caption="Mirror, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/73f1e14d8c661044c42ed44b2475f0d7db088f2d3a12ed55371675e6c486c33b/Christopher_Littlewood_Organised_Island_Mozambique10.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/2165d4bdc0cfd4b9c8bed5befd5bab5d46182b9f98ee7a0bf22d135dba8848ad/Christopher_Littlewood_Organised_Island_Mozambique11.jpg" data-mid="102869214" border="0" alt="Angle, Ibo Island, 2014" data-caption="Angle, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/2165d4bdc0cfd4b9c8bed5befd5bab5d46182b9f98ee7a0bf22d135dba8848ad/Christopher_Littlewood_Organised_Island_Mozambique11.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/1555a96305e3168cd99bcb89b554d82e3076dadedc325b59df64eb9a30daf23c/Christopher_Littlewood_Organised_Island_Mozambique12.jpg" data-mid="115181244" border="0" alt="Stay, Ibo Island, 2014" data-caption="Stay, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/1555a96305e3168cd99bcb89b554d82e3076dadedc325b59df64eb9a30daf23c/Christopher_Littlewood_Organised_Island_Mozambique12.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/7c649285a08a4b07f9790c9462add2608f2baad3a7f0fb052e06f9206c782056/Christopher_Littlewood_Organised_Island_Mozambique14.jpg" data-mid="102869217" border="0" alt="Faculty, Ibo Island, 2014" data-caption="Faculty, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/7c649285a08a4b07f9790c9462add2608f2baad3a7f0fb052e06f9206c782056/Christopher_Littlewood_Organised_Island_Mozambique14.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/a6800554721d2676936433e877c0b2d139b3e366a6bdc6a575b1c943d280daed/Christopher_Littlewood_Organised_Island_Mozambique15.jpg" data-mid="103010926" border="0" alt="Steps, Ibo Island, 2014" data-caption="Steps, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/a6800554721d2676936433e877c0b2d139b3e366a6bdc6a575b1c943d280daed/Christopher_Littlewood_Organised_Island_Mozambique15.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c183e1b2cbefd471b10cf06b0075d1ade4016c0f1360f116fb0ec5d46431c9de/Christopher_Littlewood_Organised_Island_Mozambique16.jpg" data-mid="102869220" border="0" alt="Mesh, Ibo Island, 2014" data-caption="Mesh, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/c183e1b2cbefd471b10cf06b0075d1ade4016c0f1360f116fb0ec5d46431c9de/Christopher_Littlewood_Organised_Island_Mozambique16.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/bad2e6f08b2b0d372ac3c15ab812f2cbbfffb7e5014d25511e2d0614a28dcb8c/Christopher_Littlewood_Organised_Island_Mozambique17.jpg" data-mid="102869449" border="0" alt="Upright, Ibo Island, 2014" data-caption="Upright, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/bad2e6f08b2b0d372ac3c15ab812f2cbbfffb7e5014d25511e2d0614a28dcb8c/Christopher_Littlewood_Organised_Island_Mozambique17.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6d9921cca2289868ea01c8e5271358bbe8c6d5a5bc00660586edc873c3e297a9/Christopher_Littlewood_Organised_Island_Mozambique18.jpg" data-mid="102869451" border="0" alt="Bridge I, Ilha de Mo&ccedil;ambique, 2014" data-caption="Bridge I, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/6d9921cca2289868ea01c8e5271358bbe8c6d5a5bc00660586edc873c3e297a9/Christopher_Littlewood_Organised_Island_Mozambique18.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/628217be1b5e1fb4480c5b0c6ad1922c281c9861d3d6ea0de0778573e0abec19/Christopher_Littlewood_Organised_Island_Mozambique20.jpg" data-mid="103013731" border="0" alt="Fragment, Ibo Island, 2014" data-caption="Fragment, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/628217be1b5e1fb4480c5b0c6ad1922c281c9861d3d6ea0de0778573e0abec19/Christopher_Littlewood_Organised_Island_Mozambique20.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/37e5c64866085b5e495d426e3e029f72bd88d46e4e8b77de787324cd1b2d58d4/Christopher_Littlewood_Organised_Island_Mozambique19.jpg" data-mid="103012755" border="0" alt="Prop I, Ilha de Mo&ccedil;ambique, 2014" data-caption="Prop I, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/37e5c64866085b5e495d426e3e029f72bd88d46e4e8b77de787324cd1b2d58d4/Christopher_Littlewood_Organised_Island_Mozambique19.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/2329362b1bce8978c5de76e90d3cf8b04f19abc3115172edfcd947b900c04903/Christopher_Littlewood_Organised_Island_Mozambique21.jpg" data-mid="102869454" border="0" alt="Upend, Maputo, 2012" data-caption="Upend, Maputo, 2012" src="https://freight.cargo.site/w/1000/i/2329362b1bce8978c5de76e90d3cf8b04f19abc3115172edfcd947b900c04903/Christopher_Littlewood_Organised_Island_Mozambique21.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c77bd580895a9490dec99a7af096aa145dc7e16abdf85b7d481150a61cd65ff9/Christopher_Littlewood_Organised_Island_Mozambique22.jpg" data-mid="103080679" border="0" alt="Flip, Ibo Island, 2014" data-caption="Flip, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/c77bd580895a9490dec99a7af096aa145dc7e16abdf85b7d481150a61cd65ff9/Christopher_Littlewood_Organised_Island_Mozambique22.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e045deedf31643766e4baff3e96184df6d7791ccab34cbd9d48bc323020439d7/Christopher_Littlewood_Organised_Island_Mozambique24.jpg" data-mid="102869457" border="0" alt="Rest, Ibo Island, 2014" data-caption="Rest, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/e045deedf31643766e4baff3e96184df6d7791ccab34cbd9d48bc323020439d7/Christopher_Littlewood_Organised_Island_Mozambique24.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4dd4e4fb71c28e3f18a78935a9324f97d4f7dbf75d0bac515e09a2e8eae0299f/Christopher_Littlewood_Organised_Island_Mozambique23.jpg" data-mid="173382522" border="0" alt="Counter, Ilha de Mo&ccedil;ambique, 2014" data-caption="Counter, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/4dd4e4fb71c28e3f18a78935a9324f97d4f7dbf75d0bac515e09a2e8eae0299f/Christopher_Littlewood_Organised_Island_Mozambique23.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/293305f8ad0f0797e81cfeee2dab3eda26f66efda1db875f21884aee402a52bd/Christopher_Littlewood_Organised_Island_Mozambique25.jpg" data-mid="102871572" border="0" alt="Crumble, Ibo Island, 2014" data-caption="Crumble, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/293305f8ad0f0797e81cfeee2dab3eda26f66efda1db875f21884aee402a52bd/Christopher_Littlewood_Organised_Island_Mozambique25.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/ac35e31eb6e480e09687e25235af4926fcd5bbbfd7997c23e1068f2a9de46f6a/Christopher_Littlewood_Organised_Island_Mozambique27.jpg" data-mid="103034202" border="0" alt="Bridge II, Ilha de Mo&ccedil;ambique, 2014" data-caption="Bridge II, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/ac35e31eb6e480e09687e25235af4926fcd5bbbfd7997c23e1068f2a9de46f6a/Christopher_Littlewood_Organised_Island_Mozambique27.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/47b627bbf2d5a387d425e4cf010a44a234e2f3f525f96aceb29698bf29968101/Christopher_Littlewood_Organised_Island_Mozambique28.jpg" data-mid="102880088" border="0" alt="Shelve, Ibo Island, 2014" data-caption="Shelve, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/47b627bbf2d5a387d425e4cf010a44a234e2f3f525f96aceb29698bf29968101/Christopher_Littlewood_Organised_Island_Mozambique28.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/d8c5174921bd11ffa88028ac36ef21820df4e2c15347cb388169b6d416d063df/Christopher_Littlewood_Organised_Island_Mozambique35.jpg" data-mid="103036014" border="0" alt="Prop II, Ibo Island, 2014" data-caption="Prop II, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/d8c5174921bd11ffa88028ac36ef21820df4e2c15347cb388169b6d416d063df/Christopher_Littlewood_Organised_Island_Mozambique35.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/410a498842e439a82f35a1303012b16a57d9b0c4ed7142d1bc6d766c5d6f86b7/Christopher_Littlewood_Organised_Island_Mozambique30.jpg" data-mid="115185761" border="0" alt="Split, Ibo Island, 2014" data-caption="Split, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/410a498842e439a82f35a1303012b16a57d9b0c4ed7142d1bc6d766c5d6f86b7/Christopher_Littlewood_Organised_Island_Mozambique30.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/de304361b95d6c6bc4d0a042391a7ffec563f5ef42537ebd1caed5244936d6e2/Christopher_Littlewood_Organised_Island_Mozambique29.jpg" data-mid="103029459" border="0" alt="Libra, Ibo Island, 2014" data-caption="Libra, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/de304361b95d6c6bc4d0a042391a7ffec563f5ef42537ebd1caed5244936d6e2/Christopher_Littlewood_Organised_Island_Mozambique29.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/08f8ea3a575ee2373513760aa36b6266441f7dad3e13fb48380d79fcd5a00cd8/Christopher_Littlewood_Organised_Island_Mozambique31.jpg" data-mid="102871589" border="0" alt="Slave II, Ilha de Mo&ccedil;ambique, 2014" data-caption="Slave II, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/08f8ea3a575ee2373513760aa36b6266441f7dad3e13fb48380d79fcd5a00cd8/Christopher_Littlewood_Organised_Island_Mozambique31.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/7a17a2299887e85bcdaea316ac078cb78566cc824bae76967b5198481389ddb6/Christopher_Littlewood_Organised_Island_Mozambique32.jpg" data-mid="102871590" border="0" alt="Prop III, Ibo Island, 2014" data-caption="Prop III, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/7a17a2299887e85bcdaea316ac078cb78566cc824bae76967b5198481389ddb6/Christopher_Littlewood_Organised_Island_Mozambique32.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4e999812c205252dd93320e03070efdaf02c89e534920dfea95d454779c77ef1/Christopher_Littlewood_Organised_Island_Mozambique38.jpg" data-mid="108110494" border="0" alt="Prop IV, Ilha de Mo&ccedil;ambique, 2014" data-caption="Prop IV, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/4e999812c205252dd93320e03070efdaf02c89e534920dfea95d454779c77ef1/Christopher_Littlewood_Organised_Island_Mozambique38.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/392e9ef76d46dd1449c8f24dd249813cfab24acd11cbd9b0d223afecb3bbe372/Christopher_Littlewood_Organised_Island_Mozambique33.jpg" data-mid="103031630" border="0" alt="Brace, Ilha de Mo&ccedil;ambique, 2014" data-caption="Brace, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/392e9ef76d46dd1449c8f24dd249813cfab24acd11cbd9b0d223afecb3bbe372/Christopher_Littlewood_Organised_Island_Mozambique33.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6d24afc1684c48bdcb15dfa03f7a2e96fec622c439f29d508fc1a70929eda626/Christopher_Littlewood_Organised_Island_Mozambique34.jpg" data-mid="102874139" border="0" alt="Bench, Ilha de Mo&ccedil;ambique, 2014" data-caption="Bench, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/6d24afc1684c48bdcb15dfa03f7a2e96fec622c439f29d508fc1a70929eda626/Christopher_Littlewood_Organised_Island_Mozambique34.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/746ca544eccb5e79bee32720d715d3e28b94f0b5436a13f989b6ea2e8ac9b949/Christopher_Littlewood_Organised_Island_Mozambique36.jpg" data-mid="199496121" border="0" alt="Stall, Ilha de Mo&ccedil;ambique, 2014" data-caption="Stall, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/746ca544eccb5e79bee32720d715d3e28b94f0b5436a13f989b6ea2e8ac9b949/Christopher_Littlewood_Organised_Island_Mozambique36.jpg" /> body { animation: fadeInAnimation ease 1s; animation-iteration-count: 1; animation-fill-mode: forwards; } @keyframes fadeInAnimation { 0% { opacity: 0; } 100% { opacity: 1; } } https://christopherlittlewood.com/Thin-Line-Living-2 Fri, 04 Dec 2020 19:58:13 +0000 Christopher Littlewood https://christopherlittlewood.com/Thin-Line-Living-2 <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/1362ad0a791305db3cdf4b89e3a0dc7a64240edd0050ff85e7360c97bc1f9be0/Christopher_Littlewood_Hong_Kong1.jpg" data-mid="248528198" border="0" alt="Hong Kong Construction Site I, 2013" data-caption="Hong Kong Construction Site I, 2013" src="https://freight.cargo.site/w/1000/i/1362ad0a791305db3cdf4b89e3a0dc7a64240edd0050ff85e7360c97bc1f9be0/Christopher_Littlewood_Hong_Kong1.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/bff09595a6ba4ab8b3c3c14bf1e446460c671e72a61f4cc1a559af764674efc3/Christopher_Littlewood_Hong_Kong2.jpg" data-mid="120203264" border="0" alt="Hong Kong Construction Site II, 2013" data-caption="Hong Kong Construction Site II, 2013" src="https://freight.cargo.site/w/1000/i/bff09595a6ba4ab8b3c3c14bf1e446460c671e72a61f4cc1a559af764674efc3/Christopher_Littlewood_Hong_Kong2.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/bb620a00a99ed143860504fe4a25e13d1ee3c65f3661832380b721e6e58fae12/Christopher_Littlewood_Hong_Kong4.jpg" data-mid="248528197" border="0" alt="Hong Kong Alley I, 2015" data-caption="Hong Kong Alley I, 2015" src="https://freight.cargo.site/w/1000/i/bb620a00a99ed143860504fe4a25e13d1ee3c65f3661832380b721e6e58fae12/Christopher_Littlewood_Hong_Kong4.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/2e13a07dd44a1d7314229fdcc060651e2d34701aad85148ea0a51fddef08f448/Christopher_Littlewood_Hong_Kong3.jpg" data-mid="248528196" border="0" alt="Hong Kong Construction Site III, 2013" data-caption="Hong Kong Construction Site III, 2013" src="https://freight.cargo.site/w/1000/i/2e13a07dd44a1d7314229fdcc060651e2d34701aad85148ea0a51fddef08f448/Christopher_Littlewood_Hong_Kong3.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6bb93e5270b4c7f2a07965258b01d493a7554a5bab985f0c9135a569b6c6f7b5/Christopher_Littlewood_Hong_Kong5.jpg" data-mid="114079516" border="0" alt="Hong Kong Construction Site IV, 2014" data-caption="Hong Kong Construction Site IV, 2014" src="https://freight.cargo.site/w/1000/i/6bb93e5270b4c7f2a07965258b01d493a7554a5bab985f0c9135a569b6c6f7b5/Christopher_Littlewood_Hong_Kong5.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c8a717994bf436de51bc8d5626274d09244a81b1a0856fcc01849f8c1dec7140/Christopher_Littlewood_Hong_Kong6.jpg" data-mid="249283500" border="0" alt="Hong Kong Construction Site V, 2013" data-caption="Hong Kong Construction Site V, 2013" 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src="https://freight.cargo.site/w/1000/i/c22940f9cf0d779c4026772801a3fce53dddb581aa517ac489809c7d578a2e5f/Christopher_Littlewood_Hong_Kong10.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4cdb0dd25df0a91e85c0ed8414cfe9507a1b1e67afa7151e8ec754f5349d578a/Christopher_Littlewood_Hong_Kong14.jpg" data-mid="113270257" border="0" alt="Hong Kong Village IV, 2015" data-caption="Hong Kong Village IV, 2015" src="https://freight.cargo.site/w/1000/i/4cdb0dd25df0a91e85c0ed8414cfe9507a1b1e67afa7151e8ec754f5349d578a/Christopher_Littlewood_Hong_Kong14.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/698d71431ebfa4394bc50c24bcef4e269377eccdd463af72d95e53f5afba1ba2/Christopher_Littlewood_Hong_Kong12.jpg" data-mid="205204686" border="0" alt="Hong Kong Village II, 2014" data-caption="Hong Kong Village II, 2014" src="https://freight.cargo.site/w/1000/i/698d71431ebfa4394bc50c24bcef4e269377eccdd463af72d95e53f5afba1ba2/Christopher_Littlewood_Hong_Kong12.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/8d9f7432c863a047aa058ed1ce3722469a7646c25f53687ff16366df46bbd236/Christopher_Littlewood_Hong_Kong17.jpg" data-mid="113279810" border="0" alt="Hong Kong High Rise I, 2015" data-caption="Hong Kong High Rise I, 2015" src="https://freight.cargo.site/w/1000/i/8d9f7432c863a047aa058ed1ce3722469a7646c25f53687ff16366df46bbd236/Christopher_Littlewood_Hong_Kong17.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/420fdad8b636ec13405383b663b7cf273b8de41c09b20ec25b567be7df042660/Christopher_Littlewood_Hong_Kong18.jpg" data-mid="113279811" border="0" alt="Hong Kong Housing Estate, 2015" data-caption="Hong Kong Housing Estate, 2015" src="https://freight.cargo.site/w/1000/i/420fdad8b636ec13405383b663b7cf273b8de41c09b20ec25b567be7df042660/Christopher_Littlewood_Hong_Kong18.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f09fd488af4b71533865b06db5cf4c63effc8126a9907fae1d2e468e4078d33e/Christopher_Littlewood_Hong_Kong22.jpg" data-mid="113285785" border="0" alt="Hong Kong Suburb, 2014" data-caption="Hong Kong Suburb, 2014" src="https://freight.cargo.site/w/1000/i/f09fd488af4b71533865b06db5cf4c63effc8126a9907fae1d2e468e4078d33e/Christopher_Littlewood_Hong_Kong22.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f182f23886fdb230bbe617851e38ee708fe398adb003e7dc12a64c6df85dcc27/Christopher_Littlewood_Hong_Kong20.jpg" data-mid="113279985" border="0" alt="Hong Kong High Rise II, 2015" data-caption="Hong Kong High Rise II, 2015" src="https://freight.cargo.site/w/1000/i/f182f23886fdb230bbe617851e38ee708fe398adb003e7dc12a64c6df85dcc27/Christopher_Littlewood_Hong_Kong20.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/601c25278241dfc71a38c74950193fc297a4c37ab1996c688898dc71940b4cdb/Christopher_Littlewood_Hong_Kong21.jpg" data-mid="244886769" border="0" alt="Taiwan Township II, 2016" data-caption="Taiwan Township II, 2016" src="https://freight.cargo.site/w/1000/i/601c25278241dfc71a38c74950193fc297a4c37ab1996c688898dc71940b4cdb/Christopher_Littlewood_Hong_Kong21.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/18d64aeb3e5411033b9c79a818997473e5a9311947f8fa7ccb977de45585b63d/HK_15_120_069.jpg" data-mid="245116360" border="0" alt="Hong Kong Village VII, 2015" data-caption="Hong Kong Village VII, 2015" src="https://freight.cargo.site/w/1000/i/18d64aeb3e5411033b9c79a818997473e5a9311947f8fa7ccb977de45585b63d/HK_15_120_069.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/d8bf146a3c18d2e29254f6b130157db1acc9109677c428d4d1975cf6c00d50cc/Christopher_Littlewood_Hong_Kong23.jpg" data-mid="113285786" border="0" alt="Hong Kong Campus, 2014" data-caption="Hong Kong Campus, 2014" src="https://freight.cargo.site/w/1000/i/d8bf146a3c18d2e29254f6b130157db1acc9109677c428d4d1975cf6c00d50cc/Christopher_Littlewood_Hong_Kong23.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5c508eb1554d3cb5d87d7f8461720b760a3128e61cbb8abf7f550728327f0b3a/Christopher_Littlewood_Hong_Kong24.jpg" data-mid="113380442" border="0" alt="Taiwan Mountain Pass I, 2016" data-caption="Taiwan Mountain Pass I, 2016" src="https://freight.cargo.site/w/1000/i/5c508eb1554d3cb5d87d7f8461720b760a3128e61cbb8abf7f550728327f0b3a/Christopher_Littlewood_Hong_Kong24.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/7ab9c13a719d8c2d31b520149530c2d55cccfe8f78ecea7751b6d06b308b6127/Christopher_Littlewood_Hong_Kong25.jpg" data-mid="244675579" border="0" alt="Hong Kong Alley III, 2015" data-caption="Hong Kong Alley III, 2015" src="https://freight.cargo.site/w/1000/i/7ab9c13a719d8c2d31b520149530c2d55cccfe8f78ecea7751b6d06b308b6127/Christopher_Littlewood_Hong_Kong25.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/44d40bcda8a6e6990616786722adacbdbb01a0fb1ec12bda04351a89e6dbcdb8/Christopher_Littlewood_Hong_Kong26.jpg" data-mid="244675296" border="0" alt="Hong Kong Alley IV, 2009" data-caption="Hong Kong Alley IV, 2009" src="https://freight.cargo.site/w/1000/i/44d40bcda8a6e6990616786722adacbdbb01a0fb1ec12bda04351a89e6dbcdb8/Christopher_Littlewood_Hong_Kong26.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/93986c417e1bf8250f13100afa4866825f4fa262c2da5709bafb04ef0689acd8/Christopher_Littlewood_Hong_Kong30.jpg" data-mid="244676012" border="0" alt="Hong Kong Construction Site VII, 2014" data-caption="Hong Kong Construction Site VII, 2014" src="https://freight.cargo.site/w/1000/i/93986c417e1bf8250f13100afa4866825f4fa262c2da5709bafb04ef0689acd8/Christopher_Littlewood_Hong_Kong30.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/71938bcaf16f3dc102bf02f918d82bdfb5b48c5d7dd23aee352b04ee49f4e440/Christopher_Littlewood_Hong_Kong28.jpg" data-mid="244676103" border="0" alt="Hong Kong Alley V, 2009" data-caption="Hong Kong Alley V, 2009" src="https://freight.cargo.site/w/1000/i/71938bcaf16f3dc102bf02f918d82bdfb5b48c5d7dd23aee352b04ee49f4e440/Christopher_Littlewood_Hong_Kong28.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/941583685d04526738d2d12aaf59a72dde0d505d9b1c6e0d1a432de534da9395/Christopher_Littlewood_Hong_Kong29.jpg" data-mid="244825170" border="0" alt="Shanghai Longtang II, 2008" data-caption="Shanghai Longtang II, 2008" src="https://freight.cargo.site/w/1000/i/941583685d04526738d2d12aaf59a72dde0d505d9b1c6e0d1a432de534da9395/Christopher_Littlewood_Hong_Kong29.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/1f24573c6b7018fe4df519d5aca636aaad3a8eeab73dcd6e3a1593d20a877d8f/Shanghai-18.jpg" data-mid="245115660" border="0" alt="Shanghai Shikumen, 2008" data-caption="Shanghai Shikumen, 2008" src="https://freight.cargo.site/w/1000/i/1f24573c6b7018fe4df519d5aca636aaad3a8eeab73dcd6e3a1593d20a877d8f/Shanghai-18.jpg" /> <img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/45549a0f8a9389673c0e49414ecb709e85cf31797544e68f021da38d4bbb0bcb/Hong-Kong-024b-2015.jpg" data-mid="244825597" border="0" alt="Hong Kong Alley VI, 2015" data-caption="Hong Kong Alley VI, 2015" src="https://freight.cargo.site/w/1000/i/45549a0f8a9389673c0e49414ecb709e85cf31797544e68f021da38d4bbb0bcb/Hong-Kong-024b-2015.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/d10e7b55e9f07a67dc77ee4eef8962f22e100e39bb5721ce012afdf4b231bb6e/Christopher_Littlewood_Hong_Kong31.jpg" data-mid="244792750" border="0" alt="Hong Kong Village VIII, 2009" data-caption="Hong Kong Village VIII, 2009" src="https://freight.cargo.site/w/1000/i/d10e7b55e9f07a67dc77ee4eef8962f22e100e39bb5721ce012afdf4b231bb6e/Christopher_Littlewood_Hong_Kong31.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0965da0c3a7592c2b376639337cec623e4539f3d5505b01267c490cb9a424e31/Christopher_Littlewood_Hong_Kong33.jpg" data-mid="244825674" border="0" alt="Shanghai Longtang III, 2014" data-caption="Shanghai Longtang III, 2014" src="https://freight.cargo.site/w/1000/i/0965da0c3a7592c2b376639337cec623e4539f3d5505b01267c490cb9a424e31/Christopher_Littlewood_Hong_Kong33.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/775f53f0c170b4b38563c79b279f5c27639d371c29f89f25d73b72d56c4db747/Christopher_Littlewood_Hong_Kong35.jpg" data-mid="244591775" border="0" alt="Hong Kong Village X, 2015" data-caption="Hong Kong Village X, 2015" src="https://freight.cargo.site/w/1000/i/775f53f0c170b4b38563c79b279f5c27639d371c29f89f25d73b72d56c4db747/Christopher_Littlewood_Hong_Kong35.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/9baaaa601c6e9281c33700c5ec036384b709867e69a76c5baa5585ade540f20d/Christopher_Littlewood_Hong_Kong34.jpg" data-mid="244825602" border="0" alt="Hong Kong Village IX, 2008" data-caption="Hong Kong Village IX, 2008" src="https://freight.cargo.site/w/1000/i/9baaaa601c6e9281c33700c5ec036384b709867e69a76c5baa5585ade540f20d/Christopher_Littlewood_Hong_Kong34.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f8b363e14fdbb4b3feefa557886a9bf82f424a47437a6c07813cbec89dd522ba/Christopher_Littlewood_Hong_Kong36.jpg" data-mid="244577458" border="0" alt="Taiwan Mountain Pass II, 2016" data-caption="Taiwan Mountain Pass II, 2016" src="https://freight.cargo.site/w/1000/i/f8b363e14fdbb4b3feefa557886a9bf82f424a47437a6c07813cbec89dd522ba/Christopher_Littlewood_Hong_Kong36.jpg" /> https://christopherlittlewood.com/Dwelling-in-Madagascar-1 Wed, 23 Sep 2020 08:22:29 +0000 Christopher Littlewood https://christopherlittlewood.com/Dwelling-in-Madagascar-1 <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/1d0f26648fdab15f273b74490c4819a8ff9c48c08e0483b8372f920c399dbd2a/Christopher-Littlewood-Dwelling-in-Madagascar9.jpg" data-mid="227707709" border="0" alt="Interior I (Zebu Market), Ambalavao, 2013" data-caption="Interior I (Zebu Market), Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/1d0f26648fdab15f273b74490c4819a8ff9c48c08e0483b8372f920c399dbd2a/Christopher-Littlewood-Dwelling-in-Madagascar9.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0b021e078bbd6faca750bc9c9e5d5de39789b5736e985f198a081602d7bc909f/Christopher-Littlewood-Dwelling-in-Madagascar10.jpg" data-mid="103351024" border="0" alt="Interior II (Samira's Kitchen), Antsiranana, 2009" data-caption="Interior II (Samira's Kitchen), Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/0b021e078bbd6faca750bc9c9e5d5de39789b5736e985f198a081602d7bc909f/Christopher-Littlewood-Dwelling-in-Madagascar10.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/db1e08643ba1b3f650580cd144e7d6ce0cf8310f274902d84ba289a155fbd2e6/Christopher-Littlewood-Dwelling-in-Madagascar11.jpg" data-mid="227851004" border="0" alt="Interior III (Boulevard Militaire), Antsiranana, 2009" data-caption="Interior III (Boulevard Militaire), Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/db1e08643ba1b3f650580cd144e7d6ce0cf8310f274902d84ba289a155fbd2e6/Christopher-Littlewood-Dwelling-in-Madagascar11.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c4cc80bd0100722f228516579fbe173a20daad9fea28c4693a594f109c2c407b/Christopher-Littlewood-Dwelling-in-Madagascar12.jpg" data-mid="227709942" border="0" alt="Interior IV (Smallholding), Antsirabe, 2013" data-caption="Interior IV (Smallholding), Antsirabe, 2013" src="https://freight.cargo.site/w/1000/i/c4cc80bd0100722f228516579fbe173a20daad9fea28c4693a594f109c2c407b/Christopher-Littlewood-Dwelling-in-Madagascar12.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/83fb65531499c1cd00c1d814d7e3063685305b0d7c351f19370210bce90fa75b/Christopher-Littlewood-Dwelling-in-Madagascar13.jpg" data-mid="108097419" border="0" alt="Kitchen Hut, Mandena Conservation Zone, 2009" data-caption="Kitchen Hut, Mandena Conservation Zone, 2009" src="https://freight.cargo.site/w/1000/i/83fb65531499c1cd00c1d814d7e3063685305b0d7c351f19370210bce90fa75b/Christopher-Littlewood-Dwelling-in-Madagascar13.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3f46d481960daf1e4299b1bcc1e945b21a2ef0df379ebf2301002ca98ba07abd/Christopher-Littlewood-Dwelling-in-Madagascar14.jpg" data-mid="103377201" border="0" alt="Interior V, Antsiranana, 2009" data-caption="Interior V, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/3f46d481960daf1e4299b1bcc1e945b21a2ef0df379ebf2301002ca98ba07abd/Christopher-Littlewood-Dwelling-in-Madagascar14.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3ab3dff15d599c1d37597d90dcca893746ab5103466500e141e148f4a5f85e0c/Christopher-Littlewood-Dwelling-in-Madagascar15.jpg" data-mid="104827663" border="0" alt="Gem Mining Town V, Ilakaka, 2013" data-caption="Gem Mining Town V, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/3ab3dff15d599c1d37597d90dcca893746ab5103466500e141e148f4a5f85e0c/Christopher-Littlewood-Dwelling-in-Madagascar15.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b634915e08833f107183a8a76e9942192d281e2e6a13947dc2f31c12e7e2fb14/Christopher-Littlewood-Dwelling-in-Madagascar16.jpg" data-mid="104827514" border="0" alt="Interior VI, Ambalavao, 2013" data-caption="Interior VI, Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/b634915e08833f107183a8a76e9942192d281e2e6a13947dc2f31c12e7e2fb14/Christopher-Littlewood-Dwelling-in-Madagascar16.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/4e2cde7ae7cecce5b66b771bf45cfc74e4a767a7953961321b0c11492127d98b/Christopher-Littlewood-Dwelling-in-Madagascar17.jpg" data-mid="227706828" border="0" alt="Smallholding I, Antsirabe, 2013" data-caption="Smallholding I, Antsirabe, 2013" src="https://freight.cargo.site/w/1000/i/4e2cde7ae7cecce5b66b771bf45cfc74e4a767a7953961321b0c11492127d98b/Christopher-Littlewood-Dwelling-in-Madagascar17.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/319468dc634c2179ad23526f178e4977bc9643c012e86f5f2d647d67105151b0/Christopher-Littlewood-Dwelling-in-Madagascar18.jpg" data-mid="103746751" border="0" alt="Planted Steps I (Logging Village), Ambalavao, 2013" data-caption="Planted Steps I (Logging Village), Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/319468dc634c2179ad23526f178e4977bc9643c012e86f5f2d647d67105151b0/Christopher-Littlewood-Dwelling-in-Madagascar18.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5812e178611b238c9565f498a36cc5d3be930b2c2c2b321507111296d68695b6/Christopher-Littlewood-Dwelling-in-Madagascar19.jpg" data-mid="103743263" border="0" alt="Veranda I, Antsiranana, 2009" data-caption="Veranda I, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/5812e178611b238c9565f498a36cc5d3be930b2c2c2b321507111296d68695b6/Christopher-Littlewood-Dwelling-in-Madagascar19.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/57276847478b43bf1aac05388383dae27b09106d266d29c9445ec1a8d92012d6/Christopher-Littlewood-Dwelling-in-Madagascar20.jpg" data-mid="103740579" border="0" alt="Planted Steps II, Antsiranana, 2009" data-caption="Planted Steps II, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/57276847478b43bf1aac05388383dae27b09106d266d29c9445ec1a8d92012d6/Christopher-Littlewood-Dwelling-in-Madagascar20.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/0f27a2dee0bce7bec41f275c5098ae047a95bed10e6191daa51e1af2143c423e/Christopher-Littlewood-Dwelling-in-Madagascar22.jpg" data-mid="228206787" border="0" alt="Logging Village, Ambalavao, 2013" data-caption="Logging Village, Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/0f27a2dee0bce7bec41f275c5098ae047a95bed10e6191daa51e1af2143c423e/Christopher-Littlewood-Dwelling-in-Madagascar22.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/52a9ed16e805144c53fccbf10830034ac125e6b3bf8b0779cf9e9b2175d52a26/Christopher-Littlewood-Dwelling-in-Madagascar23.jpg" data-mid="227710460" border="0" alt="Epicerie, Antsiranana, 2009" data-caption="Epicerie, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/52a9ed16e805144c53fccbf10830034ac125e6b3bf8b0779cf9e9b2175d52a26/Christopher-Littlewood-Dwelling-in-Madagascar23.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/d3635a5373ba4219841a2b919a6051ea741f4077193aeda7e1119fe8f24d7799/MADAGASCAR-2009-032b.jpg" data-mid="227705144" border="0" alt="Veranda II (Homework), Antsiranana, 2009" data-caption="Veranda II (Homework), Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/d3635a5373ba4219841a2b919a6051ea741f4077193aeda7e1119fe8f24d7799/MADAGASCAR-2009-032b.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/91b4064ba46e235d3f631e33c6283856f68923737f41c3b3c721be6504c6f812/Christopher-Littlewood-Dwelling-in-Madagascar24.jpg" data-mid="104890586" border="0" alt="Street Stall, Antsiranana, 2009" data-caption="Street Stall, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/91b4064ba46e235d3f631e33c6283856f68923737f41c3b3c721be6504c6f812/Christopher-Littlewood-Dwelling-in-Madagascar24.jpg" /> <img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c1de001708aa7b89270dfd80219dbe344e4d244b09c57adb4b7a2f2088e2a9d9/Christopher-Littlewood-Dwelling-in-Madagascar25.jpg" data-mid="227529314" border="0" alt="Quarry Camp, Toamasina, 2013" data-caption="Quarry Camp, Toamasina, 2013" src="https://freight.cargo.site/w/1000/i/c1de001708aa7b89270dfd80219dbe344e4d244b09c57adb4b7a2f2088e2a9d9/Christopher-Littlewood-Dwelling-in-Madagascar25.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5dfe1149e2bcb5936432b4c9fe07ba91fc0661b9644c29ee39b387ee645e8817/Christopher-Littlewood-Dwelling-in-Madagascar26.jpg" data-mid="136236328" border="0" alt="Gold Pans, Ranomafana, 2013" data-caption="Gold Pans, Ranomafana, 2013" src="https://freight.cargo.site/w/1000/i/5dfe1149e2bcb5936432b4c9fe07ba91fc0661b9644c29ee39b387ee645e8817/Christopher-Littlewood-Dwelling-in-Madagascar26.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/58dd117c723a0735dfe2cf764d113d26f474cb58d7ebab8461202e6b1b137ecf/Christopher-Littlewood-Dwelling-in-Madagascar27.jpg" data-mid="155014347" border="0" alt="Laona, Ambalavao, 2013" data-caption="Laona, Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/58dd117c723a0735dfe2cf764d113d26f474cb58d7ebab8461202e6b1b137ecf/Christopher-Littlewood-Dwelling-in-Madagascar27.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4e4dde320c7f7dfac5ad532f5ceffa6852c902b34db66fe941f4badf381ebd0f/Christopher-Littlewood-Dwelling-in-Madagascar28.jpg" data-mid="136307677" border="0" alt="Verge, Ilakaka, 2013" data-caption="Verge, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/4e4dde320c7f7dfac5ad532f5ceffa6852c902b34db66fe941f4badf381ebd0f/Christopher-Littlewood-Dwelling-in-Madagascar28.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c402061dea35564f8a2326ecda7c84a32d53e014564cb7ca6cf0578d7fd64ac2/Christopher-Littlewood-Dwelling-in-Madagascar33.jpg" data-mid="227530122" border="0" alt="Open Sewer, Moramanga, 2013" data-caption="Open Sewer, Moramanga, 2013" src="https://freight.cargo.site/w/1000/i/c402061dea35564f8a2326ecda7c84a32d53e014564cb7ca6cf0578d7fd64ac2/Christopher-Littlewood-Dwelling-in-Madagascar33.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/10b7ed5d0bd8f9cf06043cd72ee881624b5bc1615e92f99182dbaba7b122b34b/Christopher-Littlewood-Dwelling-in-Madagascar34.jpg" data-mid="227435725" border="0" alt="Palm, Ilakaka, 2013" data-caption="Palm, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/10b7ed5d0bd8f9cf06043cd72ee881624b5bc1615e92f99182dbaba7b122b34b/Christopher-Littlewood-Dwelling-in-Madagascar34.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5411870db536157971bbe92684325436addfbec050446075c400913dd3eb828c/Christopher-Littlewood-Dwelling-in-Madagascar40.jpg" data-mid="108227076" border="0" alt="Mural I, Taolagnaro, 2009" data-caption="Mural I, Taolagnaro, 2009" src="https://freight.cargo.site/w/1000/i/5411870db536157971bbe92684325436addfbec050446075c400913dd3eb828c/Christopher-Littlewood-Dwelling-in-Madagascar40.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/770a0d33d2573fcef27566795e4dd7d2541824f5f67a339c53e88b771c32fea1/Christopher-Littlewood-Dwelling-in-Madagascar39.jpg" data-mid="227527940" border="0" alt="Mural II (Greenwash), Taolagnaro, 2009" data-caption="Mural II (Greenwash), Taolagnaro, 2009" src="https://freight.cargo.site/w/1000/i/770a0d33d2573fcef27566795e4dd7d2541824f5f67a339c53e88b771c32fea1/Christopher-Littlewood-Dwelling-in-Madagascar39.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/8b284828c8f94443f9c2cd5a177afde04dd5b2ca0057878afab047ceb0861a42/Christopher-Littlewood-Dwelling-in-Madagascar37.jpg" data-mid="227528200" border="0" alt="Commune II, Saint Augustin, 2013" data-caption="Commune II, Saint Augustin, 2013" src="https://freight.cargo.site/w/1000/i/8b284828c8f94443f9c2cd5a177afde04dd5b2ca0057878afab047ceb0861a42/Christopher-Littlewood-Dwelling-in-Madagascar37.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c7798a69b37fb74f90cf1499c3d40e54885f39de41ee4baaea6b51c4b7bc67c0/Christopher-Littlewood-Dwelling-in-Madagascar35.jpg" data-mid="136238192" border="0" alt="Commune III, Saint Augustin, 2013" data-caption="Commune III, Saint Augustin, 2013" src="https://freight.cargo.site/w/1000/i/c7798a69b37fb74f90cf1499c3d40e54885f39de41ee4baaea6b51c4b7bc67c0/Christopher-Littlewood-Dwelling-in-Madagascar35.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3470849ac0c5988be525c45259eb9b5625d82444fbf6dfe57c94eef2a3fd0ad0/Christopher-Littlewood-Dwelling-in-Madagascar41.jpg" data-mid="108457117" border="0" alt="Interior VIII, Antsiranana, 2009" data-caption="Interior VIII, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/3470849ac0c5988be525c45259eb9b5625d82444fbf6dfe57c94eef2a3fd0ad0/Christopher-Littlewood-Dwelling-in-Madagascar41.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/21925c0685e6c5435dd9e870452c035dd1156da79b72ffd48e545495f120bb5b/Christopher-Littlewood-Dwelling-in-Madagascar38.jpg" data-mid="227525741" border="0" alt="Commune IV, Saint Augustin, 2013" data-caption="Commune IV, Saint Augustin, 2013" src="https://freight.cargo.site/w/1000/i/21925c0685e6c5435dd9e870452c035dd1156da79b72ffd48e545495f120bb5b/Christopher-Littlewood-Dwelling-in-Madagascar38.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/ccb087d9ae456cf1a8afc10110a658660175d78a6b69b1b5b91c57993c087ad8/Christopher-Littlewood-Dwelling-in-Madagascar2.jpg" data-mid="227638038" border="0" alt="Commune I, Saint Augustin, 2013" data-caption="Commune I, Saint Augustin, 2013" src="https://freight.cargo.site/w/1000/i/ccb087d9ae456cf1a8afc10110a658660175d78a6b69b1b5b91c57993c087ad8/Christopher-Littlewood-Dwelling-in-Madagascar2.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/9fd20b639d41ff0bbe238597e32c36ac7f3ce2831d5912856a0ff954478c2a9c/Christopher-Littlewood-Dwelling-in-Madagascar8.jpg" data-mid="103229743" border="0" alt="Abandoned Home, Ilakaka, 2013" data-caption="Abandoned Home, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/9fd20b639d41ff0bbe238597e32c36ac7f3ce2831d5912856a0ff954478c2a9c/Christopher-Littlewood-Dwelling-in-Madagascar8.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/4f450e2123496dac5c8d19f0adf6a7f1a22922441109628c409be6871a61c26a/Christopher-Littlewood-Dwelling-in-Madagascar7.jpg" data-mid="227641004" border="0" alt="Quarry Shelter, Toamasina, 2013" data-caption="Quarry Shelter, Toamasina, 2013" src="https://freight.cargo.site/w/1000/i/4f450e2123496dac5c8d19f0adf6a7f1a22922441109628c409be6871a61c26a/Christopher-Littlewood-Dwelling-in-Madagascar7.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/92b958ae86b4dd4e76d91f628b1e3c91e4a0cb346841bb2d29a14b8ea21fdd5d/Christopher-Littlewood-Dwelling-in-Madagascar1.jpg" data-mid="227435569" border="0" alt="Gemstone Mining Town I, Ilakaka, 2013" data-caption="Gemstone Mining Town I, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/92b958ae86b4dd4e76d91f628b1e3c91e4a0cb346841bb2d29a14b8ea21fdd5d/Christopher-Littlewood-Dwelling-in-Madagascar1.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f9b3df3df78f27a311b63037b9156a7eb0085f3d9253368e8f4f0ce0c38bca3f/Christopher-Littlewood-Dwelling-in-Madagascar5.jpg" data-mid="154924745" border="0" alt="Gemstone Mining Town IV, Ilakaka, 2013" data-caption="Gemstone Mining Town IV, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/f9b3df3df78f27a311b63037b9156a7eb0085f3d9253368e8f4f0ce0c38bca3f/Christopher-Littlewood-Dwelling-in-Madagascar5.jpg" /> <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6fc8c07028749ff99edf6ae1a9daa48d766cca14ed366efefd992d7e641a41e8/Christopher-Littlewood-Dwelling-in-Madagascar4.jpg" data-mid="119570992" border="0" alt="Gemstone Mining Town III, Ilakaka, 2013" data-caption="Gemstone Mining Town III, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/6fc8c07028749ff99edf6ae1a9daa48d766cca14ed366efefd992d7e641a41e8/Christopher-Littlewood-Dwelling-in-Madagascar4.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/a475632f7d576cd6d29f891ab342ac395a03720ddc31412073bb297f615d5cab/Christopher-Littlewood-Dwelling-in-Madagascar3.jpg" data-mid="227647924" border="0" alt="Gemstone Mining Town II, Ilakaka, 2013" data-caption="Gemstone Mining Town II, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/a475632f7d576cd6d29f891ab342ac395a03720ddc31412073bb297f615d5cab/Christopher-Littlewood-Dwelling-in-Madagascar3.jpg" /> <img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/3d408f14aeb23e26e1303ec09b2e88ea1a7dea12882b77795b79f2f78c741578/Christopher-Littlewood-Dwelling-in-Madagascar6.jpg" data-mid="227707159" border="0" alt="Gold Panning Camp I, Ranomafana, 2013" data-caption="Gold Panning Camp I, Ranomafana, 2013" src="https://freight.cargo.site/w/1000/i/3d408f14aeb23e26e1303ec09b2e88ea1a7dea12882b77795b79f2f78c741578/Christopher-Littlewood-Dwelling-in-Madagascar6.jpg" /> https://christopherlittlewood.com/Oliver-Raymond-Barker Tue, 31 Jan 2023 11:25:09 +0000 Christopher Littlewood https://christopherlittlewood.com/Oliver-Raymond-Barker Promontory of the Sanctuaryby Chris LittlewoodExhibition text for Oliver Raymond Barker, Trinity NŌUA, Bodø, Norway, 2022 <img width="1903" height="1400" width_o="1903" height_o="1400" data-src="https://freight.cargo.site/t/original/i/a505eec97fda995cc08c9a4c54b27ce63cd1e8926660c3981b54be0303fddb3f/Oliver-Raymond-Barker-Trinty-essay.jpg" data-mid="204313859" border="0" alt="Exhibition text for Oliver Raymond Barker, Trinity " data-caption="Exhibition text for Oliver Raymond Barker, Trinity " src="https://freight.cargo.site/w/1000/i/a505eec97fda995cc08c9a4c54b27ce63cd1e8926660c3981b54be0303fddb3f/Oliver-Raymond-Barker-Trinty-essay.jpg" /> <img width="1903" height="1400" width_o="1903" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c36bce906db65405ae41b8027dd7d5981f9dd5c335c277f275eea8d56433ee63/Oliver-Raymond-Barker-Trinty-essay2.jpg" data-mid="204313860" border="0" alt="Exhibition text for Oliver Raymond Barker, Trinity " data-caption="Exhibition text for Oliver Raymond Barker, Trinity " src="https://freight.cargo.site/w/1000/i/c36bce906db65405ae41b8027dd7d5981f9dd5c335c277f275eea8d56433ee63/Oliver-Raymond-Barker-Trinty-essay2.jpg" /> <img width="1907" height="1400" width_o="1907" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0e926d8624e07213035d8b811c2dd4e5cf264bdf71f65ebbaf8f091842a71ee7/Oliver-Raymond-Barker-Trinty-installationview-NOUA.jpg" data-mid="166918394" border="0" alt="Oliver Raymond Barker, Trinity, NOUA Bod&oslash;, Norway, 2022" data-caption="Oliver Raymond Barker, Trinity, NOUA Bodø, Norway, 2022" src="https://freight.cargo.site/w/1000/i/0e926d8624e07213035d8b811c2dd4e5cf264bdf71f65ebbaf8f091842a71ee7/Oliver-Raymond-Barker-Trinty-installationview-NOUA.jpg" /> <img width="1800" height="1324" width_o="1800" height_o="1324" data-src="https://freight.cargo.site/t/original/i/0c080cb7aa3a115e99276a249d7543a984c7d21645fb0b8c1b300811a7274596/Oliver-Raymond-Barker-Trinty-installationview4-NOUA.jpg" data-mid="204299999" border="0" alt="Oliver Raymond Barker, Trinity, NOUA Bod&oslash;, Norway, 2022" data-caption="Oliver Raymond Barker, Trinity, NOUA Bodø, Norway, 2022" src="https://freight.cargo.site/w/1000/i/0c080cb7aa3a115e99276a249d7543a984c7d21645fb0b8c1b300811a7274596/Oliver-Raymond-Barker-Trinty-installationview4-NOUA.jpg" /> <img width="1907" height="1400" width_o="1907" height_o="1400" data-src="https://freight.cargo.site/t/original/i/dcc9dc6048f3e6f969174a84c8959233744fb4c89300a633cb716b1f6d110931/Oliver-Raymond-Barker-Trinty-installationview23-NOUA.jpg" data-mid="166920393" border="0" alt="Oliver Raymond Barker, Trinity, NOUA Bod&oslash;, Norway, 2022" data-caption="Oliver Raymond Barker, Trinity, NOUA Bodø, Norway, 2022" src="https://freight.cargo.site/w/1000/i/dcc9dc6048f3e6f969174a84c8959233744fb4c89300a633cb716b1f6d110931/Oliver-Raymond-Barker-Trinty-installationview23-NOUA.jpg" /> <img width="1907" height="1400" width_o="1907" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0deaf3558cb5f548ccc3c42dc45bb6c34bea68daa215dd02fe767ee8d540b114/Oliver-Raymond-Barker-Trinty-installationview2-NOUA.jpg" data-mid="166919784" border="0" alt="Oliver Raymond Barker, Trinity, NOUA Bod&oslash;, Norway, 2022" data-caption="Oliver Raymond Barker, Trinity, NOUA Bodø, Norway, 2022" src="https://freight.cargo.site/w/1000/i/0deaf3558cb5f548ccc3c42dc45bb6c34bea68daa215dd02fe767ee8d540b114/Oliver-Raymond-Barker-Trinty-installationview2-NOUA.jpg" /> Stretching across two archipelagos, with over 150 islands, 20 estuaries and thousands of lochs and tidal inlets, the topography of Scotland's west coast is so heavily indented that it appears to splinter and dissolve into the North Atlantic. Seemingly composed of land and water in equal measure, it is hard to imagine a wilder place in Britain or Ireland. In his The Wild Places, nature writer Robert Macfarlane considers the origin story of the peregrini – Celtic Christian monks of the fifth and sixth centuries who journeyed to such places – as a waymark for his own peregrinations in search of wildness. Summoning these early travellers, he describes how "Monks, anchorites, solitaries and other devout itinerants began to travel in their thousands to the bays, forests, promontories, mountain-tops and islands of the Atlantic Litoral." Leaving home without saying goodbye, never to return, the peregrini forsook inhabited places where every feature was already mapped and named. They sought a life of hardship and contemplation, where isolation was a prerequisite for their devotion to Christ. As Macfarlane eloquently expresses: "their travels to these wild places reflected their longing to achieve correspondence between belief and place, between inner and outer landscapes."1 &nbsp; One such wild place was found on the peninsula now named Rosneath. Flanked to the west by Loch Long, to the east by Gare Loch and to the south by the Firth of Clyde, this promontory delineates a three-pronged confluence between waterways. It became the ultimate resting place for Saint Modan, who dwelled and worshipped there as a hermit – in time inspiring pilgrimages of healing to its wells and chapels to be built in his name. Whilst remote, it would have been attractive not only for its seclusion but also its navigability; so much surrounded by water that it was characterised as an island in ancient records.2 Together with wooded glens and grassy knolls, the combination of expanse and enclosure provided the ideal setting to gain spiritual enlightenment. To trace the etymology of Rosneath's name reveals various readings. One Gaelic version applies most readily here: "Rossneveth"3, meaning promontory of the sanctuary. Rooted within its very name, the idea of sheltering persists, whilst evidence of worship and burial linked to Saint Modan remains embedded within its tangible heritage. Other layers are a testament to an entirely different kind of energy, albeit still connected with the notion of shelter. Dominating the present-day landscape, defensive military architecture on both sides of the peninsula is all-pervasive. Perimeter fencing, hi-tech fortifications and sodium lighting exude a sense of paranoia and control. Harboured on the northern shore of Gare Loch, Faslane naval base is home to Trident: four nuclear-powered submarines designed for carrying ballistic missiles with nuclear warheads. To the west, at the Coulport naval base, the nuclear warheads are stored inside reinforced concrete bunkers. Making up what could be considered the most contentious site in the UK, the munitions on constant rotation in these waters carry a terrifyingly destructive force. Writing extensively about the UK's nuclear deterrent in 2006, James Buchan explains how each missile can carry twelve nuclear warheads into space, dropping each on a different target with one hundred kilotons of explosive force. "In this Armageddon of the imagination, a single British submarine at Faslane could obliterate 1,500 Hiroshimas"4, he exclaims. Evolving from a sacred pilgrimage site to one of western Europe's most heavily militarised districts, Rosneath resembles a theatre set where contradicting social imaginaries have played out. Somehow bridging this gap, for the past forty years, activists connected with resistance against the military installations have taken part in non-violent direct actions. Part of a global anti-nuclear movement, they passionately oppose the political ideologies the sites represent. With its makeshift dwellings, the nearby Peace Wood Camp has provided refuge for waves of itinerant activists. Among them was Nick Hunt, whose words intersperse the photographs in this exhibition. Interweaving the tales of Saint Modan, a nuclear submarine, and his own experience at Faslane, Hunt's text is partly factual, partly mythical. Strands of narrative are interlaced in a way that seems fluid. They appear and disappear, submerge and surface again. In this hybrid story, Saint Modan – or rather his spirit – wanders the shoreline, passing activists as they return from an encounter with "that shadow in the Water". The submarine, always dark, always ominous, is described elsewhere as a "monstrous mass" whose "brutal, sleek intelligence seems evolved and not designed."5 Adding to the rich lineage of pilgrimages and the subsequent nature writing and memoirs this landscape has inspired, visual artist Oliver Raymond Barker has contributed to this legacy. Setting off for the Cove Arts Centre in 2018 with a camera obscura in his backpack, he used elements from Rosneath's disparate histories as a framework to build Trinity around. Traversing the peninsula, he sought a kind of communion with the landscape, ritually setting up his tent and equipment. A process he likens to a conversation with an old friend. By modifying the tent with a simple aperture at its apex, the artist allows light to pour down through a primitive periscope onto a sheet of photographic paper, reacting with the silver-halide emulsion to expose an image. The structure becomes both a camera-body and a sanctuary for the artist's body. The light – or its absence – as it bounces off the surrounding environment envelopes both.Suppose photography is the effect of light and time rendered on a substrate. In that case, camera obscuras and camera-less techniques such as photograms are arguably its purest form. Not even film grain comes between a subject and its representation. While this might offer experimental possibilities for some artists in studio settings, what distinguishes Raymond Barker's technique is the transportable nature of his setup. Enabling him to roam freely and respond to shifting nuances, this mode of practice embraces a considerable element of happenstance. Combined with the artist's intuitive reading of a landscape, it allows for moments of total immersion in a scene. As a result, this might be as close as photography gets to an unmediated conversation with the natural world. We often talk about photography in terms of taking or capturing. However, in the case of Trinity, it feels closer to infusing or distilling. If so, this might support the artist's invocation as he seeks to convey the "essence of place". Camera-less photography often doesn't require the outside world as a subject, focusing more on the qualities of filtered light or direct alchemic manipulation of photographic papers. As the title for a 2015 exhibition at the Getty Museum in LA suggests, the primary focus of this genre is "Light, Paper, Process"6. In that show, seven contemporary American artists demonstrate what the exhibition's curator Virginia Heckert describes as an infatuation with obsolete darkroom materials. Often going to great lengths in sourcing expired papers and chemicals. Collectively they are defined by Heckert in terms of their "willingness to embrace accident and chance and to see delayed results". Arising from the push away from conventional photography and its dependency on informational content, abstraction is their predominant language. It doesn't mean that works of this nature don't have anything to say about the world outside the studio window. By eschewing today's prevalent digital technologies, they represent a comment on the expectation of, if not an obsession with, ultra-realism within the medium at large. Britain has also produced artists seeking to engage with these fundamental questions. Shadowcatchers, which Raymond Barker considers a key reference point, was a 2011 exhibition highlighting camera-less work at the V&amp;A Museum in London. It was recognised by Harriet Riches for its emphasis on mysterious and somewhat mystical qualities, symbolism, and the fragments and figments of dreams and the subconscious7. In an introductory text published in the Trinity book, Shadowcatchers curator Martin Barnes echoes this sentiment, describing how Raymond Barker's image-making deals as much with the invisible as the visible. For Barnes, the primal quality of the images gives "the impression of an eye opening from slumber onto a world that is not yet fully formed, a realm that is intuited rather than understood."8 Trinity achieves this through the marrying, if not melting together of its visual themes: the embracing of what might usually be seen as faults: light leaks and uneven chemistry; lengthy exposures registering ghostly movement; and the disorientation of inverted and mirrored variations. Not to mention the spiritual yet somewhat dark underlying layers of its subject matter. That said, there's a different quality to the images that is difficult to condense in such definitive terms - an unexplainable fifth element. As an example, Cove Park Canopy, silver gelatin negative reads as both representational and abstract – almost in equal measure. Readable as a bracken-clad slope, the foreground anchors the image. But only just. The darkened top half, where the canopy and sky should be, loosens its resemblance to our understanding of the physical world. Thus flipping the image into an otherworldly dimension. The effect is so beguiling it could conceivably be a river estuary seen from above. Its network of tributaries folded vertically. Or, like the image that a recent anthology of Scottish nature writing conjures through its title, it evokes "Antlers of Water"9. With two possible perspectives coexisting in the same image, it's hard to believe the artist achieved such a layered result with a single exposure. Like those Christian pilgrims whose footsteps Raymond Barker was echoing, his was a quest to escape the world's complexities. This is photography as a spiritual act – itself possessing many qualities associated with activities such as prayer and meditation10. Yet, as unburdened as this analogue approach may be, it ultimately strips its subject of its materiality – like all photography does. But Raymond Barker knows this. Punctuating the exhibition, a sculptural element comprising slate fragments manifest the prevailing rock of the peninsula. Engraved in the manner of an ancient memorial stone, one piece is inscribed with the project's title, Trinity. In this context, the word takes on multiple meanings: a play on the name of the UK's nuclear programme, Trident; a reference to the Christian doctrine of the Holy Trinity; and a symbol of the three strands of narrative that the photographs and text engage with. In an instance of synchronicity, the artist's research also uncovered a strange fact. Located in New Mexico, a stone monument commemorates where the first nuclear device was exploded in 1945. Named by the theoretical physicist J. Robert Oppenheimer (the father of the atomic bomb), its plaque reads 'Trinity Site'. At a time when much of the paranoia surrounding the Cold War period has resurfaced. When arguably, too many of us are seeking solace in the sanctuary of virtual worlds. When our relationship with the sacredness of the natural world is becoming stretched beyond repair. We need reminding, no matter how obliquely, of the simple power of noticing. By these photographs giving equal emphasis to their three elements, if not more representation of the natural forces at play, the work becomes a quietly political statement. Likewise, in Nick Hunt's story, the submarine's power is more than equalled by Modan's euphoria at the elemental force of nature. At one point, "he falls to his knees with the immensity and stares upon the awesome light that floods the shadows of the world". Moreover, by delving into deep geological time, a scale and context arise where the destructive force of Trident is dwarfed by a creational one: "There were glaciers here once that tore strips from the land. Then the sea flooded in. It travels in their absence." 1Robert Macfarlane, The Wild Places, Penguin Books, 2008 2William Charles Maughan, Rosneath Past and Present, 1893 3Robert Herbert Story, Saint Modan of Rosneath,1877 4James Buchan,Trident, Granta, 2006 5Nick Hunt,Trinity, Loose Joints, 2021 6Virginia Heckert, Light, Paper, Process: Reinventing Photography, The J. Paul Getty Museum, 2015 7Harriet Riches, "Diabolical, But Beautiful", After Image, 2011 8Martin Barnes, "Not Negative", Trinity, Loose Joints, 2021 9Antlers of Water: Writing on the Nature and Environment of Scotland, Kathleen Jamie (editor), Canongate, 2020 10Laura Elizabeth Garza-Meza, Photography as a spiritual technique, 2013installation images: Dan MarinerVideo: Cato Lauvli https://christopherlittlewood.com/Giovanna-Petrocchi Tue, 21 Sep 2021 11:22:02 +0000 Christopher Littlewood https://christopherlittlewood.com/Giovanna-Petrocchi Bad Museologyby Chris LittlewoodPublished in Giovanna Petrocchi, Sculptural Entities A Corner With Editions, 2021Other text by Sunil Shah Design by Sara Cristina Moser Edited by Trine Stephensen <img width="2080" height="1530" width_o="2080" height_o="1530" data-src="https://freight.cargo.site/t/original/i/cb1b951d2d2bc29778045b39632ba52fe6e2accc297e37c3d22eda359a83be80/Scupltural_Entites_.jpg" data-mid="119990065" border="0" alt="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" data-caption="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" src="https://freight.cargo.site/w/1000/i/cb1b951d2d2bc29778045b39632ba52fe6e2accc297e37c3d22eda359a83be80/Scupltural_Entites_.jpg" /> <img width="2092" height="1538" width_o="2092" height_o="1538" data-src="https://freight.cargo.site/t/original/i/b98059d8385740e6de247415fb8fa533a2dd11af491edfecb68c9d4ef3fbe64a/Scupltural_Entites_10.jpg" data-mid="131900017" border="0" alt="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" data-caption="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" src="https://freight.cargo.site/w/1000/i/b98059d8385740e6de247415fb8fa533a2dd11af491edfecb68c9d4ef3fbe64a/Scupltural_Entites_10.jpg" /> <img width="2092" height="1538" width_o="2092" height_o="1538" data-src="https://freight.cargo.site/t/original/i/6493c2edb9ea3eef772a920907fc4aab79922ed56afcba532eadb2622d98a231/Scupltural_Entites_7.jpg" data-mid="119488451" border="0" alt="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" data-caption="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" src="https://freight.cargo.site/w/1000/i/6493c2edb9ea3eef772a920907fc4aab79922ed56afcba532eadb2622d98a231/Scupltural_Entites_7.jpg" /> <img width="2091" height="1538" width_o="2091" height_o="1538" data-src="https://freight.cargo.site/t/original/i/9935043330dd4cf741a98fa40fae31b03bb1e02ff44f5b530ba2cf7fc17c3a00/Scupltural_Entites_4.jpg" data-mid="119481101" border="0" alt="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" data-caption="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" src="https://freight.cargo.site/w/1000/i/9935043330dd4cf741a98fa40fae31b03bb1e02ff44f5b530ba2cf7fc17c3a00/Scupltural_Entites_4.jpg" /> <img width="2092" height="1538" width_o="2092" height_o="1538" data-src="https://freight.cargo.site/t/original/i/a2bd1477b95ebc55fc7fc72c530e0ac6ac9c005bb1593baacf4e92a2f1a06e6d/Scupltural_Entites_13.jpg" data-mid="119482233" border="0" alt="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" data-caption="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" src="https://freight.cargo.site/w/1000/i/a2bd1477b95ebc55fc7fc72c530e0ac6ac9c005bb1593baacf4e92a2f1a06e6d/Scupltural_Entites_13.jpg" /> <img width="2092" height="1538" width_o="2092" height_o="1538" data-src="https://freight.cargo.site/t/original/i/31f4a48cdae06de7a48a7ff9afc082e2575c6fd0ee2372d828e3147176db2e66/Scupltural_Entites_14.jpg" data-mid="131899838" border="0" alt="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" data-caption="Giovanna Petrocchi, Sculptural Entities, A Corner With Editions, 2021" src="https://freight.cargo.site/w/1000/i/31f4a48cdae06de7a48a7ff9afc082e2575c6fd0ee2372d828e3147176db2e66/Scupltural_Entites_14.jpg" /> One evening in September 2018, Brazil’s Museu Nacional in Rio de Janeiro was eviscerated by fire. As Latin America’s largest museum, its collection included some 20 million scientifically and culturally invaluable artefacts. Among those were dinosaur skeletons, a Pompeian fresco and the skull of Luzia – the oldest known human from Latin America. Devastated, as many Brazilians were by such a loss to their cultural heritage, the artist Vik Muniz was compelled to respond. Working alongside the scientists who were recovering what little remained, Muniz offered his capabilities in an attempt to retrieve some form of lasting connection to that history. Known for his ambitious photographic works that recreate popular imagery through complex collages, he was well placed for such an undertaking. By salvaging ash from precise locations in the wreckage, Muniz recomposed images of selected artefacts with material from their own remnants. Museum of Ashes, the resulting project, is a series of imitations either in photographic or 3-D printed form. Capturing some essence of the originals, they also highlight how visual artists can provide alternative possibilities in the face of scientific limitations. “Scholars tend to ask only those questions that they can reasonably expect to answer,” says Yuval Noah Harari, author of Sapiens: A Brief History of Humankind. In describing early Homo sapien foragers, Harari points to a period, what he calls the curtain of silence, for which we have no concrete cultural knowledge. Only “a few fossilised bones and a handful of stone tools that remain mute under the most intense scholarly inquisitions.” Present-day tools can generate specific data like the DNA sequence of a mammoth tusk. But convey nothing about the meanings behind our prehistoric ancestors’ material expressions, such as the anthropomorphic animal engravings found on mammoth tusks. Many assume that the Paleolithic people who left those engravings – or those who drew the cave art at Serra da Capivara – had inherently the same minds of people today. Yet despite well-informed speculation, will we ever know what was behind their thinking? As Harari surmises, “these long millennia may well have witnessed wars and revolutions, ecstatic religious movements, profound philosophical theories, incomparable artistic masterpieces […] But these are all mere guesses. The curtain of silence is so thick that we cannot even be sure such things occurred – let alone describe them in detail.”1 Imperialism and the colonial impulse to acquire, map and collect has led to miscellaneous collections of artefacts and curios. Often housed in Western museums – not infrequently at the detriment of more vulnerable cultural groups – they represent, for some, an overwhelming history of inequality and destructive political ideology. And despite museums attempting to make their collections more widely available via open access public domains, the dilemmas of museology continue to run deep. What then is the role of contemporary artistic expressions in such a context? According to the artist Mark Dion “The job of the artist is to go against the grain of dominant culture, to challenge perception and convention.” Importantly for him, without destroying what was there before. Speaking about a group of like-minded artists, he says, “rather than dynamite the museum, our idea is to make the museum a better place, or more representative, more responsive, more enlightened, more interesting.”2 Unlike the sciences, that means asking questions without expectations; it means presenting highly subjective visual languages that not only challenge empirical theories. But also imagine potential new worlds – encoded with signs and symbols for future generations to decipher. After all, it was the human imagination that created ancient artefacts in the first place. In that spirit, we can picture the artist, not as an isolated genius but a link in the chain of cultural expression. Archaeology and fragmentation are leading principles for creative people today. Identified by design curator Li Edelkoort as a predominant theme among young designers, her exhibition concept Post-Fossil brings together what she calls contemporary archaic forms. Excavating and recomposing, these design disciplines are rooted in a desire to hybridise earth-bound matter with technological advancements. By developing new material research in this fashion, Edelkoort argues that this generation of makers is fueled by their world existing in a time of disarray. Consequently, they are shifting the emphasis from a materialistic mentality – to one conscious of ecology and overconsumption. “They propose ritualistic tools for a new kind of well-being,” Edelkoort says. Likewise, established ateliers incorporate notions of archaeology into large-scale built projects, fragmentation into their research. Within what could almost be a movement, this propensity is also prevalent across the visual arts. Fittingly titled A Desire for Archaeology, Perspectives on the Future – an exhibition at Musée d’Art Contemporain in Nîmes, during Arles in 2018 – is a case in point. Through a rereading of colonialist discourses, the show was constituted not only by material objects but also images, archives, gestures and narratives.3 In photographic terms, we can think of archaeology not only as subject matter but as the driving impulse behind the excavation and activation of archive material – most pertinently here, in the form of collage and montage. Misdirection and misinformation go hand-in-hand with that process, resulting in images that urge the viewer to reconsider narratives they had constructed for themselves – around the types of photographs they already know. In other words, collage asks us to recalibrate our reference points. Heterogeneous, deconstructed, distorted, hybrid, fantasy – the nature of collage has made it a powerful tool. Particularly during times where historically manipulated truths are being scrutinised like never before. Together with its low economic means of production – the practice can take place equally in the studio, the bedroom, or simply on a laptop – a duality emerges between the political and the personal. By appropriating pre-existing imagery, photographic collage also variably involves questions around the consumption of information. The act of recycling itself carries with it an important message – to borrow is to say enough’s enough, let’s reinvent what already exists. A curated compendium of recent photographic collage might look something like this: Ruth van Beek re-animates flower arrangement manuals from the 50s with The Arrangement, inspiriting her small-scale works with larger-than-life characters; Batia Suter compiles images of nature and the physical world with the voluminous Parallel Encyclopedia, exercising the iconification of images via playful and intuitive sequencing; Matt Lipps stages, lights and rephotographs cutouts from discontinued photographic handbooks with Library, creating disorientating spatial arrangements between appropriated images and stylised backdrops; Hannah Hughes reconfigures auction catalogues and journals with The Flatland Series, inverting overlooked negative spaces into sculptural constructions; Nico Krijno splices, scans and distorts found images with his Lockdown Collages, transposing ethnographic photographs of African tribespeople with ‘how-to’ books on ikebana and interior design. It’s no coincidence that most of these artists work with manuals; printed publications whose original function was instructional. By undermining that didacticism, they create alternative views of received histories. To borrow from Joan Fontcuberta, interventions such as these “challenge disciplines that claim authority to represent the real — botany, topology, any scientific discourse, the media, even religion.”4 A sentiment strongly shared by Giovanna Petrocchi, who, like Fontcuberta, incorporates fictional animals, reality-subverting techniques and irony into her work. Originating from Rome, an outdoor museum in itself, Petrocchi describes the effect of that cultural fabric on her formative years. “Ancient sculptures, artefacts and archaeological sites are part of my cultural heritage and education – they have been impressed on my memory as a sort of mental imagery”, she says. Yet despite readily available access to such sites, Petrocchi’s work orientates more towards the impossibility of fully understanding and accessing the past. Playing with the practices of museum classification and categorisation in a way that highlights an inherent absurdity, Petrocchi’s arrangements of bones, relics and statuettes repeatedly resemble miniature theatre sets. Animated, juxtaposed and divorced from a rigid, linear reading, the characters in these sets are given license to roam free. In Modular Artefacts – a series parodying an imagined museum cataloguing procedure – we encounter monsters, mutant vessels, floating amulets and a conversation between a bird and an abstract shape. Like the source images that Petrocchi de-contextualises, her creatures too are fugitive; on the run. Not only that, they are intruders and disruptors – gate-crashing museum cabinets after the curators have gone home. With Sculptural Entities, we see several of Petrocchi’s recurring visual themes coming together into a single framework that gets repeated. The ancient relic, represented here by the mammoth tooth fossils; the speculative contemporary form, embodied by the scanned cutouts from 3D dinosaur puzzle kits; the digital artefact, revealed in the overtly clone-stamped backdrops; and the mythological being, symbolised by the animal glyphs in each bottom right corner. Other, more subtle layers also emerge, such as the imperfections caused by damage to the original glass negatives – hinting at the analogue photograph as a relic in itself. Supplementing the main body of images, an ‘archive’ section purports to unpack layers of methodologies – as evidenced by measuring rulers, puzzle manuals and original in-tact images. Part ‘how-to’ guide, part postscript, these elements, whilst revealing, ultimately remain abstracted and illusive. Layering and compression – qualities we can associate both with photography and stratigraphy (Earth’s geological and archaeological layers) become a lens through which to contemplate the work. Since 2009, The Anthropocene Working Group (an interdisciplinary research collective) have argued that the planet has shifted geologic time scale – from the Holocene epoch to the Anthropocene – where irreversible human impact is the agent of that change. Evidence for this partly comes from the material remnants of the technosphere (the technological systems of the Anthropocene), in other words, concrete, plastics and any synthesized materials. Compacted as layers within landfill sites or washed out to sea, these remnants are known as ‘technofossils’5. Potentially preservable for millennia, technofossil assemblages could conceivably become artefacts of the future. Petrocchi’s puzzle pieces, with their artificial structures counterpoised by the organic fossil samples, describe this paradigm. More than that, I would argue they are metonymic – themselves composed of wood, which has been machined and laminated. Each of them unique, fossilised mammoth molars are naturally conserved under permafrost. At 1.2 million years old, DNA from a recent mammoth discovery was identified as the oldest known to science. In contrast, the puzzle pieces are computer-automated designs, produced by the batch-load in a matter of minutes. Both objects are anatomical, both are deconstructed in some form, though they couldn’t be further apart in timespan or scarcity. Yet in Petrocchi’s world, they are digitally composited into typological surfaces through printed internet sources. With their inherent flatness and uniformity – where everything can be reduced using standardised tools – digital technologies are particularly effective at comparing disparate entities. Through the visual trope of imitation, one possible reading is that the puzzle pieces attempt to mimic the fossils, albeit in a simplified geometric manner. Despite the appearance of a museographic sequence, any attempt to draw solid conclusions from such comparative methods is ultimately arbitrary. Does that make Petrocchi a bad museologist? Or through qualities like empathy and humour, does it animate the discourse in a refreshingly relatable way?Imitation and mimicry have a strong lineage in an art-historical context. But this type of reading – one that seeks to attribute mind to matter and relationships between objects – might find a more abiding foundation in the belief system of Animism. A system that does not distinguish between human and nature, where all things – alive or allegedly inanimate – are characterised as living beings. And where all living beings are interconnected. While Animism likely has roots in ancient mythology, it is a growing school of thought in today’s world – no doubt resulting partly from our increasingly distant connection from multi-species communities. Giovanna Petrocchi’s work, with its fragmented animal representations, not only points to that disconnection but envisions new species and new communities. Against the outdated ideologies of western museums, her work contests the objectification of nonhumans – offering a more interwoven perspective on nature and culture.6 1Yuval Noah Harari, Sapiens: A Brief History of Humankind, Penguin Random House, 2011 2Interview with Mark Dion, Whitehot magazine of contemporary art, 2009 http://whitehotmagazine.com&nbsp; 3Jean-Marc Prevost, Carré d’Art, 2018&nbsp; https://www.carreartmusee.com 4Joan Fontcuberta: False Negatives, interview with Stuart Jeffries, The Guardian, 2014 https://www.theguardian.com 5The technofossil record of humans, Jan Zalasiewicz, Mark Williams, Colin N. Waters, Antony D. Barnosky, Peter Haff https://www.researchgate.net 6Mariana Reyes, Interwoven Voices of the Anthropocene: Multi-species Stories in the Contemporary Museum Space, 2020 https://activisthistory.com