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	<title>Christopher Littlewood</title>
	<link>https://christopherlittlewood.com</link>
	<description>Christopher Littlewood</description>
	<pubDate>Fri, 01 Sep 2023 20:18:55 +0000</pubDate>
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		<title>Homepage </title>
				
		<link>https://christopherlittlewood.com/Homepage-1</link>

		<pubDate>Thu, 19 Aug 2021 15:52:40 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

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		<title>BOOKS</title>
				
		<link>https://christopherlittlewood.com/BOOKS-1</link>

		<pubDate>Thu, 19 Aug 2021 12:41:53 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

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	&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/fef466c32749749e68f6565ea6470794ed78b545cff394ead59312a3f6248a43/Christopher-Littlewood-Through-Monuments36.jpg" data-mid="176266065" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/fef466c32749749e68f6565ea6470794ed78b545cff394ead59312a3f6248a43/Christopher-Littlewood-Through-Monuments36.jpg" /&#62;THROUGH MONUMENTSForthcoming..
	
	




  
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		<pubDate>Mon, 10 May 2021 12:53:30 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

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		<description>&#60;img width="1500" height="1103" width_o="1500" height_o="1103" data-src="https://freight.cargo.site/t/original/i/a543b02209c6b9c8bc55fa8d4d9715be6edd5eb8f171fa70b865b17ddc5817bd/Collective_Undoings_Photomonitor.jpg" data-mid="211837931" border="0"  src="https://freight.cargo.site/w/1000/i/a543b02209c6b9c8bc55fa8d4d9715be6edd5eb8f171fa70b865b17ddc5817bd/Collective_Undoings_Photomonitor.jpg" /&#62;COLLECTIVE (UN)DOINGSPHOTOMONITOR

	&#60;img width="1400" height="1030" width_o="1400" height_o="1030" data-src="https://freight.cargo.site/t/original/i/f74a0e506f138be3c88befcf3160682ac10bfecbc1dc13b0e9a7d79e420c2614/Oliver-Raymond-Barker-Trinty-essay.jpg" data-mid="204313474" border="0"  src="https://freight.cargo.site/w/1000/i/f74a0e506f138be3c88befcf3160682ac10bfecbc1dc13b0e9a7d79e420c2614/Oliver-Raymond-Barker-Trinty-essay.jpg" /&#62;PROMONTORY OF THE SANCTUARYOLIVER RAYMOND BARKER, TRINITYNŌUA


	
&#60;img width="2080" height="1530" width_o="2080" height_o="1530" data-src="https://freight.cargo.site/t/original/i/2ac1fd0159378b3c8cddecaa978a4d04a8d92fafdfe607144cd752134b99f5d9/Scupltural_Entites_.jpg" data-mid="119392919" border="0"  src="https://freight.cargo.site/w/1000/i/2ac1fd0159378b3c8cddecaa978a4d04a8d92fafdfe607144cd752134b99f5d9/Scupltural_Entites_.jpg" /&#62;BAD MUSEOLOGYGIOVANNA PETROCCHI, SCULPTURAL ENTITIESA CORNER WITH EDITIONS
	&#60;img width="1500" height="1103" width_o="1500" height_o="1103" data-src="https://freight.cargo.site/t/original/i/ac19dfc6ab96e9d7d02eff9a9c881b08d31ee6acb58c6fc437b4f07f3d4b218a/Mona-Kuhn-works-Chris-Littlewood-Braid-of-Tales.jpg" data-mid="204535428" border="0"  src="https://freight.cargo.site/w/1000/i/ac19dfc6ab96e9d7d02eff9a9c881b08d31ee6acb58c6fc437b4f07f3d4b218a/Mona-Kuhn-works-Chris-Littlewood-Braid-of-Tales.jpg" /&#62;A BRAID OF TALESMONA KUHN, WORKSTHAMES &#38;amp; HUDSON



	&#60;img width="1500" height="1104" width_o="1500" height_o="1104" data-src="https://freight.cargo.site/t/original/i/b7ba852f6c897b9ef44c11123abfdf8259db6572c392166aebf54695c33b6410/1000-words-cover-1500px.jpg" data-mid="204532971" border="0"  src="https://freight.cargo.site/w/1000/i/b7ba852f6c897b9ef44c11123abfdf8259db6572c392166aebf54695c33b6410/1000-words-cover-1500px.jpg" /&#62;MATT LIPPS, LIBRARY1000 WORDS


	


  
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		<title>News</title>
				
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		<pubDate>Fri, 01 Sep 2023 20:18:55 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

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&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/dda3129b24b141cdd907ec6c9d5036cec618896bf945ebdf01edc6c39b6f3a7a/Christopher-Littlewood-Swahili-Morphology-35.jpg" data-mid="238552787" border="0" alt="Kilwa Kisiwani Ruins I (Great Mosque), 2021" data-caption="Kilwa Kisiwani Ruins I (Great Mosque), 2021" src="https://freight.cargo.site/w/1000/i/dda3129b24b141cdd907ec6c9d5036cec618896bf945ebdf01edc6c39b6f3a7a/Christopher-Littlewood-Swahili-Morphology-35.jpg" /&#62;

	LagosPhoto Festival, 2025
“Kindred” group exhibition curated by Emmanuel Iduma and Ayọ̀bámi Adébáyọ̀ of Tender Photos.
Participating photographers:
Tommie Ominde, Fua Bilich, Nipah Dennis, Katia Golovko, Robert Lyons, Oyewole Lawal, Hana Gamal, Aly Hazzaa, Fawaz Oyedeji, Christopher Littlewood, Yassine El Attar, Sauda Dhlabo, Adediran Adetutu, Adedolapo Boluwatife, Thero Makepe, Neo Baepi, Abderrahmane Ajja, Francis Ogunyemi, Ollie Walker, Rachel Seidu, Neema Ngelime, Catherine Li, Jean Luc Andrianasolo, and Omoregie Osakpolor.
At the LagosPhoto Festival, Tender Photos has curated Kindred, a constellation of 24 photographs and texts featured in the newsletter archive of Tender Photos. Showing an asynchronous cascade of images and blocks of text on adjacent walls, viewers are invited to match an image with its corresponding caption.

	Tender Photos’s “Kindred” series typically features a dual layer of images and commentary, where participants are invited to build on the platform’s growing archive by pairing a previously shared image with a new image of their choice. At LagosPhoto, the implication is that viewers can use the exhibited collection as a point of departure for drawing their own connections. The idea is also to highlight the “literature” involved in photography and the visual and spatial potentials of textuality. Embracing a fluidity and collectivity of language and authorship, the project integrates contemporary media and indigenous philosophy.Launched in 2010, LagosPhoto is an international photography festival presented in Nigeria. In a month long festival, events include exhibitions, workshops, artist presentations, discussions and large scale outdoor prints displayed throughout the city with the aim of reclaiming public spaces and engaging the general public with multifaceted stories of Africa.

︎︎︎ Tender Photos at the LagosPhoto Festival





&#60;img width="1096" height="1600" width_o="1096" height_o="1600" data-src="https://freight.cargo.site/t/original/i/20efd348187649e16b497b976b92ea0a15f20985c453e3335037e1a5b81b2df6/Christopher_Littlewood_Walled_City_1.jpg" data-mid="236907756" border="0" alt="Highway Infrastructure (Dismantled Billboards), 2023" data-caption="Highway Infrastructure (Dismantled Billboards), 2023" src="https://freight.cargo.site/w/1000/i/20efd348187649e16b497b976b92ea0a15f20985c453e3335037e1a5b81b2df6/Christopher_Littlewood_Walled_City_1.jpg" /&#62;

	Photographic Exploration Project
DE-CONSTRUCTEDGroup show at Loop – raum für aktuelle kunst, Berlin
August, 2025

Work from an ongoing series made in Johannesburg is included in De-Constructed, a collective&#38;nbsp;exhibition&#38;nbsp;as part of PEP (Photographic Exploration Project), curated by Bénédicte Blondeau. Through a series of thematic projects, PEP aims to explore the photographic language in all its aspects. For Blondeau, photography is a form of communication using visual elements as pieces of a particular vocabulary or “visual lexicon”. The aspect of collectivity is central to the project, resulting in a plurality of perspectives along the given theme.&#38;nbsp;

	


	“In an era marked by continuous change, where structures — social, personal, and visual — are constantly in flux, the selected works explore photography’s unique potential to question, dismantle, and reimagine reality.
The participating artists approach the theme from diverse perspectives. Some examine architectural and urban environments as spaces of transformation, while others turn to the shifting terrain of identity, familial ties, and societal or political structures — capturing moments of vulnerability, transition, and renewal. Experimental approaches push the boundaries of photographic form, mirroring the fragmentation of contemporary experience. Several works engage with questions rooted in the natural world and geological layers of the earth, exploring how physical landscapes too can be sites of deconstruction and historical sedimentation. Through acts of deconstruction and reinterpretation, these works invite viewers to reconsider the narratives and frameworks that shape our understanding of the world.”︎︎︎ Photographic Exploration Project
︎︎︎&#38;nbsp;Bénédicte Blondeau






&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/dda3129b24b141cdd907ec6c9d5036cec618896bf945ebdf01edc6c39b6f3a7a/Christopher-Littlewood-Swahili-Morphology-35.jpg" data-mid="238552787" border="0" alt="Kilwa Kisiwani Ruins I (Great Mosque), 2021" data-caption="Kilwa Kisiwani Ruins I (Great Mosque), 2021" src="https://freight.cargo.site/w/1000/i/dda3129b24b141cdd907ec6c9d5036cec618896bf945ebdf01edc6c39b6f3a7a/Christopher-Littlewood-Swahili-Morphology-35.jpg" /&#62;

	“Why choose to take a photograph of an enfilade of archways? If the path leads anywhere the picture says little of what’s on the other end. Only that, without doubt, this pathway was built to allow passage. Hence it is at once a picture of the state of these archways as it is of a time now past. What might it seem like, then, to come to terms with the knowledge held in those cracks and blotches—to see through the multitude of feet for whom, as they approached this threshold, an elsewhere was possible?”
— Emmanuel Iduma,&#38;nbsp;Tender Photo
	Every week the writer Emmanuel Iduma features one photograph and the photographer who took it in his African photography newsletter Tender Photo. Photographers are invited to respond to their image plus there’s a short introductory note from the editor. Emmanuel hopes to reach readers willing to give some thought to how photography impacts their lives and shapes their perceptions.&#38;nbsp;
︎︎︎ Tender Photo





&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/e1d11616c6d222a9434a732897e127d90d39e5d54f713e941659196c8fe003be/Christopher-Littlewood-Through-Monuments187.jpg" data-mid="214824310" border="0" alt="Old Blockhouse (Ghost), Pixley ka Seme District, 2023" data-caption="Old Blockhouse (Ghost), Pixley ka Seme District, 2023" src="https://freight.cargo.site/w/1000/i/e1d11616c6d222a9434a732897e127d90d39e5d54f713e941659196c8fe003be/Christopher-Littlewood-Through-Monuments187.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e42e267cfb702a3bb7c25bcb95932b685360ce9367f2ba84a9cfb175d0ef775b/Christopher-Littlewood-Through-Monuments43.jpg" data-mid="214824462" border="0" alt="Entrance to a Town, Xhariep, 2023" data-caption="Entrance to a Town, Xhariep, 2023" src="https://freight.cargo.site/w/1000/i/e42e267cfb702a3bb7c25bcb95932b685360ce9367f2ba84a9cfb175d0ef775b/Christopher-Littlewood-Through-Monuments43.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c6e83b44308ff6343ef64c66ce4a994c1e6f871e94568825d7c8ddffd103a758/Christopher-Littlewood-Through-Monuments74.jpg" data-mid="214824619" border="0" alt="Monument to Settler Migration III, Sara Baartman District, 2022" data-caption="Monument to Settler Migration III, Sara Baartman District, 2022" src="https://freight.cargo.site/w/1000/i/c6e83b44308ff6343ef64c66ce4a994c1e6f871e94568825d7c8ddffd103a758/Christopher-Littlewood-Through-Monuments74.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/854211a848301dcc44ea5cd659a9dfdf69ab9fd88750e3452d9e222b3c92bfe2/Christopher-Littlewood-Through-Monuments57.jpg" data-mid="214824626" border="0" alt="Memorial to a President IV (Air Crash Site), Ehlanzeni, 2021" data-caption="Memorial to a President IV (Air Crash Site), Ehlanzeni, 2021" src="https://freight.cargo.site/w/1000/i/854211a848301dcc44ea5cd659a9dfdf69ab9fd88750e3452d9e222b3c92bfe2/Christopher-Littlewood-Through-Monuments57.jpg" /&#62;


	
CAP Prize 2024, shortlist
The Contemporary African Photography PrizeA portfolio of 15 images from my&#38;nbsp;Through Monuments project has been shortlisted for the CAP prize, which has been awarded annually since 2012 for works created on the African continent, or which engage with the African diaspora.
	
︎︎︎ CAP Prize 2024 shortist
︎︎︎ Panel of Judges





&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/dedd1b7186206780423a7dd3cab050753c27f4ac4f445555329004fffbce9d61/Christopher-Littlewood-Through-Monuments01.jpg" data-mid="189525419" border="0" alt="Ghost Mining Town II, ǁKharas Region, 2023" data-caption="Ghost Mining Town II, ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/dedd1b7186206780423a7dd3cab050753c27f4ac4f445555329004fffbce9d61/Christopher-Littlewood-Through-Monuments01.jpg" /&#62;
&#60;img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/251c50739f79515eec70625cfe81822af660fba2260545b3b8d19589e2f9df37/Christopher-Littlewood-Through-Monuments131.jpg" data-mid="239141897" border="0" alt="Old Railway Line, Omaheke Region, 2023" data-caption="Old Railway Line, Omaheke Region, 2023" src="https://freight.cargo.site/w/1000/i/251c50739f79515eec70625cfe81822af660fba2260545b3b8d19589e2f9df37/Christopher-Littlewood-Through-Monuments131.jpg" /&#62;
&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/aaf7c5e03edc1f6a746f93474c355edafd7a1f85dee2d670a9dd038edcc08932/Christopher-Littlewood-Through-Monuments03.jpg" data-mid="189525443" border="0" alt="Old Railway Outpost (Water Tanks), ǁKharas Region, 2023" data-caption="Old Railway Outpost (Water Tanks), ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/aaf7c5e03edc1f6a746f93474c355edafd7a1f85dee2d670a9dd038edcc08932/Christopher-Littlewood-Through-Monuments03.jpg" /&#62;
&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/942225f6ae481dc5cb37e38ce3632098461451ea7411439cf6c7db2758f0a8cb/Christopher-Littlewood-Through-Monuments04.jpg" data-mid="189525445" border="0" alt="Old Military Bunker I, Omaheke Region, 2023" data-caption="Old Military Bunker I, Omaheke Region, 2023" src="https://freight.cargo.site/w/1000/i/942225f6ae481dc5cb37e38ce3632098461451ea7411439cf6c7db2758f0a8cb/Christopher-Littlewood-Through-Monuments04.jpg" /&#62;
&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/f48d1a4d35fa96bff65dcb6f0a8ed7c54ec1348b606fa51d6e0c23a148a1a151/Christopher-Littlewood-Through-Monuments05.jpg" data-mid="189525449" border="0" alt="Old Military Bunker II, Omaheke Region, 2023" data-caption="Old Military Bunker II, Omaheke Region, 2023" src="https://freight.cargo.site/w/1000/i/f48d1a4d35fa96bff65dcb6f0a8ed7c54ec1348b606fa51d6e0c23a148a1a151/Christopher-Littlewood-Through-Monuments05.jpg" /&#62;
&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/455ef326875cde51bc1191aebbf72240db280aebcf65cf117d839d466dfe9bba/Christopher-Littlewood-Through-Monuments06.jpg" data-mid="189525450" border="0" alt="Artefact Assemblage III, ǁKharas Region, 2023" data-caption="Artefact Assemblage III, ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/455ef326875cde51bc1191aebbf72240db280aebcf65cf117d839d466dfe9bba/Christopher-Littlewood-Through-Monuments06.jpg" /&#62;
&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/a850ac1fad838d752fba63c8c6986fe4c80c80ed9d0e1434648b9fcec027f649/Christopher-Littlewood-Through-Monuments07.jpg" data-mid="189525464" border="0" alt="Ghost Mining Town I, ǁKharas Region, 2023" data-caption="Ghost Mining Town I, ǁKharas Region, 2023" src="https://freight.cargo.site/w/1000/i/a850ac1fad838d752fba63c8c6986fe4c80c80ed9d0e1434648b9fcec027f649/Christopher-Littlewood-Through-Monuments07.jpg" /&#62;
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	Hariban Award 2023, Honourable MentionThrough Monuments (Namibia)Postcolonial Southern Africa is a place that enacts a continuous tension between its architectural constructions, its natural surroundings and the weight of racist historical ideologies. Through memorials, monuments, sites of cultural significance and other commemorative topologies, these photographs ruminate on these tensions within a contemporary Namibian context. Where in the drylands of this sparsely populated region, heritage sites are rendered indistinct by the shifting tides of dust and sandstorms.
Forming a subset within the broader Through Monuments project (2019-ongoing), which expands to include the entangled histories of South Africa, Namibia and Zimbabwe, the work explores how collective memory is expressed through overlapping material cultures. This chapter focuses on the railway lines that serviced diamond mining towns and military outposts, together with the area known as the Skeleton Coast, where shipwrecks, defunct oil rigs and other ruins lie strewn across the Namib Desert.
Sculptural interventions serve to disrupt a traditional narrative-based reading. Improvised and playful, these assemblages are simple exercises where found artefacts are underpropped, leaned against or hung. They evolved from the notion that memorialised heritage is undergoing a process of being redressed and transformed. Though humble on the surface, these artefacts are as inextricably linked to the material culture of European extractivism in Africa as any statue or structure. Perhaps as the importance of intangible heritage and oral histories challenge the role of monuments, it allows for physical structures and objects to undergo a process of being questioned, where material properties and design are potential subjects for artistic re-interpretation.
	In the words of James Baldwin, "As we consider what role monuments play in our culture, it's the historical context, not the mythology, that we must remember." In that spirit, Through Monuments is not grouped following any chronological narrative. Instead, the photographs are sequenced according to the aesthetics of built form, material texture and decorative motif. Thereby encouraging the reading of monuments - not in terms of the events or personalities they purport to represent - but rather as a set of languages that reflect the context from which they emerged.
Presented by Benrido, the Hariban Award combines a 170-year-old analogue technique with contemporary photography. Glass plates have been used as the base for collotype printing plates which still continues today. The award is called “Hariban” as “Hari” means glass plate, and “ban” means printing plate in Japanese. 
2023 Jury: Nestan Nijaradze, Rei Masuda, Awoiska van der Molan, Sarah Greene&#38;nbsp;
More info&#38;nbsp;︎︎︎ Hariban Award

  
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		<title>Swahili Morphology</title>
				
		<link>https://christopherlittlewood.com/Swahili-Morphology-1</link>

		<pubDate>Sat, 03 Oct 2020 13:03:11 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

		<guid isPermaLink="true">https://christopherlittlewood.com/Swahili-Morphology-1</guid>

		<description>
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&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0004cf192616bce727d1544601f6427b1daffc745b407e8ac429610d99193f00/Christopher-Littlewood-Swahili-Morphology-37.jpg" data-mid="244637223" border="0" alt="Bagamoyo Boma, 2019" data-caption="Bagamoyo Boma, 2019" src="https://freight.cargo.site/w/1000/i/0004cf192616bce727d1544601f6427b1daffc745b407e8ac429610d99193f00/Christopher-Littlewood-Swahili-Morphology-37.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/76897974b52b0e2384c62d3dda3143a9f92065dc9e4ce5a78d36fbc41c9143ab/Christopher-Littlewood-Swahili-Morphology-49.jpg" data-mid="247616655" border="0" alt="Dar es Salaam Campus VIII (Nkrumah Hall), 2019" data-caption="Dar es Salaam Campus VIII (Nkrumah Hall), 2019" src="https://freight.cargo.site/w/1000/i/76897974b52b0e2384c62d3dda3143a9f92065dc9e4ce5a78d36fbc41c9143ab/Christopher-Littlewood-Swahili-Morphology-49.jpg" /&#62;
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&#38;nbsp; &#38;nbsp; 
</description>
		
	</item>
		
		
	<item>
		<title>Organised Island</title>
				
		<link>https://christopherlittlewood.com/Organised-Island-1</link>

		<pubDate>Wed, 23 Sep 2020 11:01:26 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

		<guid isPermaLink="true">https://christopherlittlewood.com/Organised-Island-1</guid>

		<description>
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e8ff12fe04de9861661b32dc7f40b58ea0c49d00753b9d7532c70990d23a6a28/Christopher_Littlewood_Organised_Island_Mozambique1.jpg" data-mid="102868587" border="0" alt="Hazard I, Pemba, 2014" data-caption="Hazard I, Pemba, 2014" src="https://freight.cargo.site/w/1000/i/e8ff12fe04de9861661b32dc7f40b58ea0c49d00753b9d7532c70990d23a6a28/Christopher_Littlewood_Organised_Island_Mozambique1.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c0d7b521b304b9c32e02cbc98b6b67224afbf92858fe3fa7b4a2cd9b6cbf9818/Christopher_Littlewood_Organised_Island_Mozambique2.jpg" data-mid="102866233" border="0" alt="Skin, Maputo, 2012" data-caption="Skin, Maputo, 2012" src="https://freight.cargo.site/w/1000/i/c0d7b521b304b9c32e02cbc98b6b67224afbf92858fe3fa7b4a2cd9b6cbf9818/Christopher_Littlewood_Organised_Island_Mozambique2.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3e9b5aeca7f38056b436fa0d385d1543915ba7f9bf15f37b4ef16144a3441fbb/Christopher_Littlewood_Organised_Island_Mozambique4.jpg" data-mid="102866240" border="0" alt="Hazard II, Ilha de Mo&#38;ccedil;ambique, 2014" data-caption="Hazard II, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/3e9b5aeca7f38056b436fa0d385d1543915ba7f9bf15f37b4ef16144a3441fbb/Christopher_Littlewood_Organised_Island_Mozambique4.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e3c32d24b13134e37292a461faeb3c6e2beccd945cd992a5f0c4275609c003b4/Christopher_Littlewood_Organised_Island_Mozambique3.jpg" data-mid="102866238" border="0" alt="Ring, Beira, 2014" data-caption="Ring, Beira, 2014" src="https://freight.cargo.site/w/1000/i/e3c32d24b13134e37292a461faeb3c6e2beccd945cd992a5f0c4275609c003b4/Christopher_Littlewood_Organised_Island_Mozambique3.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c0092849d4c18779d6c7a05133f298c5b157f53087c7b027f4001330e2148a6c/Christopher_Littlewood_Organised_Island_Mozambique5.jpg" data-mid="115182219" border="0" alt="Vessel, Ibo Island, 2014" data-caption="Vessel, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/c0092849d4c18779d6c7a05133f298c5b157f53087c7b027f4001330e2148a6c/Christopher_Littlewood_Organised_Island_Mozambique5.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/63666abb5219f89fa5da0f25132a24bb669a69b04e1b6b6a8723de135ae8a86c/Christopher_Littlewood_Organised_Island_Mozambique6.jpg" data-mid="102866244" border="0" alt="Weave, Ibo Island, 2014" data-caption="Weave, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/63666abb5219f89fa5da0f25132a24bb669a69b04e1b6b6a8723de135ae8a86c/Christopher_Littlewood_Organised_Island_Mozambique6.jpg" /&#62;
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&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/1555a96305e3168cd99bcb89b554d82e3076dadedc325b59df64eb9a30daf23c/Christopher_Littlewood_Organised_Island_Mozambique12.jpg" data-mid="115181244" border="0" alt="Stay, Ibo Island, 2014" data-caption="Stay, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/1555a96305e3168cd99bcb89b554d82e3076dadedc325b59df64eb9a30daf23c/Christopher_Littlewood_Organised_Island_Mozambique12.jpg" /&#62;
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&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6d9921cca2289868ea01c8e5271358bbe8c6d5a5bc00660586edc873c3e297a9/Christopher_Littlewood_Organised_Island_Mozambique18.jpg" data-mid="102869451" border="0" alt="Bridge I, Ilha de Mo&#38;ccedil;ambique, 2014" data-caption="Bridge I, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/6d9921cca2289868ea01c8e5271358bbe8c6d5a5bc00660586edc873c3e297a9/Christopher_Littlewood_Organised_Island_Mozambique18.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/628217be1b5e1fb4480c5b0c6ad1922c281c9861d3d6ea0de0778573e0abec19/Christopher_Littlewood_Organised_Island_Mozambique20.jpg" data-mid="103013731" border="0" alt="Fragment, Ibo Island, 2014" data-caption="Fragment, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/628217be1b5e1fb4480c5b0c6ad1922c281c9861d3d6ea0de0778573e0abec19/Christopher_Littlewood_Organised_Island_Mozambique20.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/37e5c64866085b5e495d426e3e029f72bd88d46e4e8b77de787324cd1b2d58d4/Christopher_Littlewood_Organised_Island_Mozambique19.jpg" data-mid="103012755" border="0" alt="Prop I, Ilha de Mo&#38;ccedil;ambique, 2014" data-caption="Prop I, Ilha de Moçambique, 2014" src="https://freight.cargo.site/w/1000/i/37e5c64866085b5e495d426e3e029f72bd88d46e4e8b77de787324cd1b2d58d4/Christopher_Littlewood_Organised_Island_Mozambique19.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/2329362b1bce8978c5de76e90d3cf8b04f19abc3115172edfcd947b900c04903/Christopher_Littlewood_Organised_Island_Mozambique21.jpg" data-mid="102869454" border="0" alt="Upend, Maputo, 2012" data-caption="Upend, Maputo, 2012" src="https://freight.cargo.site/w/1000/i/2329362b1bce8978c5de76e90d3cf8b04f19abc3115172edfcd947b900c04903/Christopher_Littlewood_Organised_Island_Mozambique21.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c77bd580895a9490dec99a7af096aa145dc7e16abdf85b7d481150a61cd65ff9/Christopher_Littlewood_Organised_Island_Mozambique22.jpg" data-mid="103080679" border="0" alt="Flip, Ibo Island, 2014" data-caption="Flip, Ibo Island, 2014" src="https://freight.cargo.site/w/1000/i/c77bd580895a9490dec99a7af096aa145dc7e16abdf85b7d481150a61cd65ff9/Christopher_Littlewood_Organised_Island_Mozambique22.jpg" /&#62;
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	<item>
		<title>Thin Line Living</title>
				
		<link>https://christopherlittlewood.com/Thin-Line-Living-2</link>

		<pubDate>Fri, 04 Dec 2020 19:58:13 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

		<guid isPermaLink="true">https://christopherlittlewood.com/Thin-Line-Living-2</guid>

		<description>
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&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5c508eb1554d3cb5d87d7f8461720b760a3128e61cbb8abf7f550728327f0b3a/Christopher_Littlewood_Hong_Kong24.jpg" data-mid="113380442" border="0" alt="Taiwan Mountain Pass I, 2016" data-caption="Taiwan Mountain Pass I, 2016" src="https://freight.cargo.site/w/1000/i/5c508eb1554d3cb5d87d7f8461720b760a3128e61cbb8abf7f550728327f0b3a/Christopher_Littlewood_Hong_Kong24.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/7ab9c13a719d8c2d31b520149530c2d55cccfe8f78ecea7751b6d06b308b6127/Christopher_Littlewood_Hong_Kong25.jpg" data-mid="244675579" border="0" alt="Hong Kong Alley III, 2015" data-caption="Hong Kong Alley III, 2015" src="https://freight.cargo.site/w/1000/i/7ab9c13a719d8c2d31b520149530c2d55cccfe8f78ecea7751b6d06b308b6127/Christopher_Littlewood_Hong_Kong25.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/44d40bcda8a6e6990616786722adacbdbb01a0fb1ec12bda04351a89e6dbcdb8/Christopher_Littlewood_Hong_Kong26.jpg" data-mid="244675296" border="0" alt="Hong Kong Alley IV, 2009" data-caption="Hong Kong Alley IV, 2009" src="https://freight.cargo.site/w/1000/i/44d40bcda8a6e6990616786722adacbdbb01a0fb1ec12bda04351a89e6dbcdb8/Christopher_Littlewood_Hong_Kong26.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/93986c417e1bf8250f13100afa4866825f4fa262c2da5709bafb04ef0689acd8/Christopher_Littlewood_Hong_Kong30.jpg" data-mid="244676012" border="0" alt="Hong Kong Construction Site VII, 2014" data-caption="Hong Kong Construction Site VII, 2014" src="https://freight.cargo.site/w/1000/i/93986c417e1bf8250f13100afa4866825f4fa262c2da5709bafb04ef0689acd8/Christopher_Littlewood_Hong_Kong30.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/71938bcaf16f3dc102bf02f918d82bdfb5b48c5d7dd23aee352b04ee49f4e440/Christopher_Littlewood_Hong_Kong28.jpg" data-mid="244676103" border="0" alt="Hong Kong Alley V, 2009" data-caption="Hong Kong Alley V, 2009" src="https://freight.cargo.site/w/1000/i/71938bcaf16f3dc102bf02f918d82bdfb5b48c5d7dd23aee352b04ee49f4e440/Christopher_Littlewood_Hong_Kong28.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/941583685d04526738d2d12aaf59a72dde0d505d9b1c6e0d1a432de534da9395/Christopher_Littlewood_Hong_Kong29.jpg" data-mid="244825170" border="0" alt="Shanghai Longtang II, 2008" data-caption="Shanghai Longtang II, 2008" src="https://freight.cargo.site/w/1000/i/941583685d04526738d2d12aaf59a72dde0d505d9b1c6e0d1a432de534da9395/Christopher_Littlewood_Hong_Kong29.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/1f24573c6b7018fe4df519d5aca636aaad3a8eeab73dcd6e3a1593d20a877d8f/Shanghai-18.jpg" data-mid="245115660" border="0" alt="Shanghai Shikumen, 2008" data-caption="Shanghai Shikumen, 2008" src="https://freight.cargo.site/w/1000/i/1f24573c6b7018fe4df519d5aca636aaad3a8eeab73dcd6e3a1593d20a877d8f/Shanghai-18.jpg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/45549a0f8a9389673c0e49414ecb709e85cf31797544e68f021da38d4bbb0bcb/Hong-Kong-024b-2015.jpg" data-mid="244825597" border="0" alt="Hong Kong Alley VI, 2015" data-caption="Hong Kong Alley VI, 2015" src="https://freight.cargo.site/w/1000/i/45549a0f8a9389673c0e49414ecb709e85cf31797544e68f021da38d4bbb0bcb/Hong-Kong-024b-2015.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/d10e7b55e9f07a67dc77ee4eef8962f22e100e39bb5721ce012afdf4b231bb6e/Christopher_Littlewood_Hong_Kong31.jpg" data-mid="244792750" border="0" alt="Hong Kong Village VIII, 2009" data-caption="Hong Kong Village VIII, 2009" src="https://freight.cargo.site/w/1000/i/d10e7b55e9f07a67dc77ee4eef8962f22e100e39bb5721ce012afdf4b231bb6e/Christopher_Littlewood_Hong_Kong31.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0965da0c3a7592c2b376639337cec623e4539f3d5505b01267c490cb9a424e31/Christopher_Littlewood_Hong_Kong33.jpg" data-mid="244825674" border="0" alt="Shanghai Longtang III, 2014" data-caption="Shanghai Longtang III, 2014" src="https://freight.cargo.site/w/1000/i/0965da0c3a7592c2b376639337cec623e4539f3d5505b01267c490cb9a424e31/Christopher_Littlewood_Hong_Kong33.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/775f53f0c170b4b38563c79b279f5c27639d371c29f89f25d73b72d56c4db747/Christopher_Littlewood_Hong_Kong35.jpg" data-mid="244591775" border="0" alt="Hong Kong Village X, 2015" data-caption="Hong Kong Village X, 2015" src="https://freight.cargo.site/w/1000/i/775f53f0c170b4b38563c79b279f5c27639d371c29f89f25d73b72d56c4db747/Christopher_Littlewood_Hong_Kong35.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/9baaaa601c6e9281c33700c5ec036384b709867e69a76c5baa5585ade540f20d/Christopher_Littlewood_Hong_Kong34.jpg" data-mid="244825602" border="0" alt="Hong Kong Village IX, 2008" data-caption="Hong Kong Village IX, 2008" src="https://freight.cargo.site/w/1000/i/9baaaa601c6e9281c33700c5ec036384b709867e69a76c5baa5585ade540f20d/Christopher_Littlewood_Hong_Kong34.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f8b363e14fdbb4b3feefa557886a9bf82f424a47437a6c07813cbec89dd522ba/Christopher_Littlewood_Hong_Kong36.jpg" data-mid="244577458" border="0" alt="Taiwan Mountain Pass II, 2016" data-caption="Taiwan Mountain Pass II, 2016" src="https://freight.cargo.site/w/1000/i/f8b363e14fdbb4b3feefa557886a9bf82f424a47437a6c07813cbec89dd522ba/Christopher_Littlewood_Hong_Kong36.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Dwelling in Madagascar</title>
				
		<link>https://christopherlittlewood.com/Dwelling-in-Madagascar-1</link>

		<pubDate>Wed, 23 Sep 2020 08:22:29 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

		<guid isPermaLink="true">https://christopherlittlewood.com/Dwelling-in-Madagascar-1</guid>

		<description>
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/1d0f26648fdab15f273b74490c4819a8ff9c48c08e0483b8372f920c399dbd2a/Christopher-Littlewood-Dwelling-in-Madagascar9.jpg" data-mid="227707709" border="0" alt="Interior I (Zebu Market), Ambalavao, 2013" data-caption="Interior I (Zebu Market), Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/1d0f26648fdab15f273b74490c4819a8ff9c48c08e0483b8372f920c399dbd2a/Christopher-Littlewood-Dwelling-in-Madagascar9.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0b021e078bbd6faca750bc9c9e5d5de39789b5736e985f198a081602d7bc909f/Christopher-Littlewood-Dwelling-in-Madagascar10.jpg" data-mid="103351024" border="0" alt="Interior II (Samira's Kitchen), Antsiranana, 2009" data-caption="Interior II (Samira's Kitchen), Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/0b021e078bbd6faca750bc9c9e5d5de39789b5736e985f198a081602d7bc909f/Christopher-Littlewood-Dwelling-in-Madagascar10.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/db1e08643ba1b3f650580cd144e7d6ce0cf8310f274902d84ba289a155fbd2e6/Christopher-Littlewood-Dwelling-in-Madagascar11.jpg" data-mid="227851004" border="0" alt="Interior III (Boulevard Militaire), Antsiranana, 2009" data-caption="Interior III (Boulevard Militaire), Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/db1e08643ba1b3f650580cd144e7d6ce0cf8310f274902d84ba289a155fbd2e6/Christopher-Littlewood-Dwelling-in-Madagascar11.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c4cc80bd0100722f228516579fbe173a20daad9fea28c4693a594f109c2c407b/Christopher-Littlewood-Dwelling-in-Madagascar12.jpg" data-mid="227709942" border="0" alt="Interior IV (Smallholding), Antsirabe, 2013" data-caption="Interior IV (Smallholding), Antsirabe, 2013" src="https://freight.cargo.site/w/1000/i/c4cc80bd0100722f228516579fbe173a20daad9fea28c4693a594f109c2c407b/Christopher-Littlewood-Dwelling-in-Madagascar12.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/83fb65531499c1cd00c1d814d7e3063685305b0d7c351f19370210bce90fa75b/Christopher-Littlewood-Dwelling-in-Madagascar13.jpg" data-mid="108097419" border="0" alt="Kitchen Hut, Mandena Conservation Zone, 2009" data-caption="Kitchen Hut, Mandena Conservation Zone, 2009" src="https://freight.cargo.site/w/1000/i/83fb65531499c1cd00c1d814d7e3063685305b0d7c351f19370210bce90fa75b/Christopher-Littlewood-Dwelling-in-Madagascar13.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3f46d481960daf1e4299b1bcc1e945b21a2ef0df379ebf2301002ca98ba07abd/Christopher-Littlewood-Dwelling-in-Madagascar14.jpg" data-mid="103377201" border="0" alt="Interior V, Antsiranana, 2009" data-caption="Interior V, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/3f46d481960daf1e4299b1bcc1e945b21a2ef0df379ebf2301002ca98ba07abd/Christopher-Littlewood-Dwelling-in-Madagascar14.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3ab3dff15d599c1d37597d90dcca893746ab5103466500e141e148f4a5f85e0c/Christopher-Littlewood-Dwelling-in-Madagascar15.jpg" data-mid="104827663" border="0" alt="Gem Mining Town V, Ilakaka, 2013" data-caption="Gem Mining Town V, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/3ab3dff15d599c1d37597d90dcca893746ab5103466500e141e148f4a5f85e0c/Christopher-Littlewood-Dwelling-in-Madagascar15.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b634915e08833f107183a8a76e9942192d281e2e6a13947dc2f31c12e7e2fb14/Christopher-Littlewood-Dwelling-in-Madagascar16.jpg" data-mid="104827514" border="0" alt="Interior VI, Ambalavao, 2013" data-caption="Interior VI, Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/b634915e08833f107183a8a76e9942192d281e2e6a13947dc2f31c12e7e2fb14/Christopher-Littlewood-Dwelling-in-Madagascar16.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/4e2cde7ae7cecce5b66b771bf45cfc74e4a767a7953961321b0c11492127d98b/Christopher-Littlewood-Dwelling-in-Madagascar17.jpg" data-mid="227706828" border="0" alt="Smallholding I, Antsirabe, 2013" data-caption="Smallholding I, Antsirabe, 2013" src="https://freight.cargo.site/w/1000/i/4e2cde7ae7cecce5b66b771bf45cfc74e4a767a7953961321b0c11492127d98b/Christopher-Littlewood-Dwelling-in-Madagascar17.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/319468dc634c2179ad23526f178e4977bc9643c012e86f5f2d647d67105151b0/Christopher-Littlewood-Dwelling-in-Madagascar18.jpg" data-mid="103746751" border="0" alt="Planted Steps I (Logging Village), Ambalavao, 2013" data-caption="Planted Steps I (Logging Village), Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/319468dc634c2179ad23526f178e4977bc9643c012e86f5f2d647d67105151b0/Christopher-Littlewood-Dwelling-in-Madagascar18.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5812e178611b238c9565f498a36cc5d3be930b2c2c2b321507111296d68695b6/Christopher-Littlewood-Dwelling-in-Madagascar19.jpg" data-mid="103743263" border="0" alt="Veranda I, Antsiranana, 2009" data-caption="Veranda I, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/5812e178611b238c9565f498a36cc5d3be930b2c2c2b321507111296d68695b6/Christopher-Littlewood-Dwelling-in-Madagascar19.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/57276847478b43bf1aac05388383dae27b09106d266d29c9445ec1a8d92012d6/Christopher-Littlewood-Dwelling-in-Madagascar20.jpg" data-mid="103740579" border="0" alt="Planted Steps II, Antsiranana, 2009" data-caption="Planted Steps II, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/57276847478b43bf1aac05388383dae27b09106d266d29c9445ec1a8d92012d6/Christopher-Littlewood-Dwelling-in-Madagascar20.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/0f27a2dee0bce7bec41f275c5098ae047a95bed10e6191daa51e1af2143c423e/Christopher-Littlewood-Dwelling-in-Madagascar22.jpg" data-mid="228206787" border="0" alt="Logging Village, Ambalavao, 2013" data-caption="Logging Village, Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/0f27a2dee0bce7bec41f275c5098ae047a95bed10e6191daa51e1af2143c423e/Christopher-Littlewood-Dwelling-in-Madagascar22.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/52a9ed16e805144c53fccbf10830034ac125e6b3bf8b0779cf9e9b2175d52a26/Christopher-Littlewood-Dwelling-in-Madagascar23.jpg" data-mid="227710460" border="0" alt="Epicerie, Antsiranana, 2009" data-caption="Epicerie, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/52a9ed16e805144c53fccbf10830034ac125e6b3bf8b0779cf9e9b2175d52a26/Christopher-Littlewood-Dwelling-in-Madagascar23.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/d3635a5373ba4219841a2b919a6051ea741f4077193aeda7e1119fe8f24d7799/MADAGASCAR-2009-032b.jpg" data-mid="227705144" border="0" alt="Veranda II (Homework), Antsiranana, 2009" data-caption="Veranda II (Homework), Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/d3635a5373ba4219841a2b919a6051ea741f4077193aeda7e1119fe8f24d7799/MADAGASCAR-2009-032b.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/91b4064ba46e235d3f631e33c6283856f68923737f41c3b3c721be6504c6f812/Christopher-Littlewood-Dwelling-in-Madagascar24.jpg" data-mid="104890586" border="0" alt="Street Stall, Antsiranana, 2009" data-caption="Street Stall, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/91b4064ba46e235d3f631e33c6283856f68923737f41c3b3c721be6504c6f812/Christopher-Littlewood-Dwelling-in-Madagascar24.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c1de001708aa7b89270dfd80219dbe344e4d244b09c57adb4b7a2f2088e2a9d9/Christopher-Littlewood-Dwelling-in-Madagascar25.jpg" data-mid="227529314" border="0" alt="Quarry Camp, Toamasina, 2013" data-caption="Quarry Camp, Toamasina, 2013" src="https://freight.cargo.site/w/1000/i/c1de001708aa7b89270dfd80219dbe344e4d244b09c57adb4b7a2f2088e2a9d9/Christopher-Littlewood-Dwelling-in-Madagascar25.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5dfe1149e2bcb5936432b4c9fe07ba91fc0661b9644c29ee39b387ee645e8817/Christopher-Littlewood-Dwelling-in-Madagascar26.jpg" data-mid="136236328" border="0" alt="Gold Pans, Ranomafana, 2013" data-caption="Gold Pans, Ranomafana, 2013" src="https://freight.cargo.site/w/1000/i/5dfe1149e2bcb5936432b4c9fe07ba91fc0661b9644c29ee39b387ee645e8817/Christopher-Littlewood-Dwelling-in-Madagascar26.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/58dd117c723a0735dfe2cf764d113d26f474cb58d7ebab8461202e6b1b137ecf/Christopher-Littlewood-Dwelling-in-Madagascar27.jpg" data-mid="155014347" border="0" alt="Laona, Ambalavao, 2013" data-caption="Laona, Ambalavao, 2013" src="https://freight.cargo.site/w/1000/i/58dd117c723a0735dfe2cf764d113d26f474cb58d7ebab8461202e6b1b137ecf/Christopher-Littlewood-Dwelling-in-Madagascar27.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4e4dde320c7f7dfac5ad532f5ceffa6852c902b34db66fe941f4badf381ebd0f/Christopher-Littlewood-Dwelling-in-Madagascar28.jpg" data-mid="136307677" border="0" alt="Verge, Ilakaka, 2013" data-caption="Verge, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/4e4dde320c7f7dfac5ad532f5ceffa6852c902b34db66fe941f4badf381ebd0f/Christopher-Littlewood-Dwelling-in-Madagascar28.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c402061dea35564f8a2326ecda7c84a32d53e014564cb7ca6cf0578d7fd64ac2/Christopher-Littlewood-Dwelling-in-Madagascar33.jpg" data-mid="227530122" border="0" alt="Open Sewer, Moramanga, 2013" data-caption="Open Sewer, Moramanga, 2013" src="https://freight.cargo.site/w/1000/i/c402061dea35564f8a2326ecda7c84a32d53e014564cb7ca6cf0578d7fd64ac2/Christopher-Littlewood-Dwelling-in-Madagascar33.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/10b7ed5d0bd8f9cf06043cd72ee881624b5bc1615e92f99182dbaba7b122b34b/Christopher-Littlewood-Dwelling-in-Madagascar34.jpg" data-mid="227435725" border="0" alt="Palm, Ilakaka, 2013" data-caption="Palm, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/10b7ed5d0bd8f9cf06043cd72ee881624b5bc1615e92f99182dbaba7b122b34b/Christopher-Littlewood-Dwelling-in-Madagascar34.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5411870db536157971bbe92684325436addfbec050446075c400913dd3eb828c/Christopher-Littlewood-Dwelling-in-Madagascar40.jpg" data-mid="108227076" border="0" alt="Mural I, Taolagnaro, 2009" data-caption="Mural I, Taolagnaro, 2009" src="https://freight.cargo.site/w/1000/i/5411870db536157971bbe92684325436addfbec050446075c400913dd3eb828c/Christopher-Littlewood-Dwelling-in-Madagascar40.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/770a0d33d2573fcef27566795e4dd7d2541824f5f67a339c53e88b771c32fea1/Christopher-Littlewood-Dwelling-in-Madagascar39.jpg" data-mid="227527940" border="0" alt="Mural II (Greenwash), Taolagnaro, 2009" data-caption="Mural II (Greenwash), Taolagnaro, 2009" src="https://freight.cargo.site/w/1000/i/770a0d33d2573fcef27566795e4dd7d2541824f5f67a339c53e88b771c32fea1/Christopher-Littlewood-Dwelling-in-Madagascar39.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/8b284828c8f94443f9c2cd5a177afde04dd5b2ca0057878afab047ceb0861a42/Christopher-Littlewood-Dwelling-in-Madagascar37.jpg" data-mid="227528200" border="0" alt="Commune II, Saint Augustin, 2013" data-caption="Commune II, Saint Augustin, 2013" src="https://freight.cargo.site/w/1000/i/8b284828c8f94443f9c2cd5a177afde04dd5b2ca0057878afab047ceb0861a42/Christopher-Littlewood-Dwelling-in-Madagascar37.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c7798a69b37fb74f90cf1499c3d40e54885f39de41ee4baaea6b51c4b7bc67c0/Christopher-Littlewood-Dwelling-in-Madagascar35.jpg" data-mid="136238192" border="0" alt="Commune III, Saint Augustin, 2013" data-caption="Commune III, Saint Augustin, 2013" src="https://freight.cargo.site/w/1000/i/c7798a69b37fb74f90cf1499c3d40e54885f39de41ee4baaea6b51c4b7bc67c0/Christopher-Littlewood-Dwelling-in-Madagascar35.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3470849ac0c5988be525c45259eb9b5625d82444fbf6dfe57c94eef2a3fd0ad0/Christopher-Littlewood-Dwelling-in-Madagascar41.jpg" data-mid="108457117" border="0" alt="Interior VIII, Antsiranana, 2009" data-caption="Interior VIII, Antsiranana, 2009" src="https://freight.cargo.site/w/1000/i/3470849ac0c5988be525c45259eb9b5625d82444fbf6dfe57c94eef2a3fd0ad0/Christopher-Littlewood-Dwelling-in-Madagascar41.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/21925c0685e6c5435dd9e870452c035dd1156da79b72ffd48e545495f120bb5b/Christopher-Littlewood-Dwelling-in-Madagascar38.jpg" data-mid="227525741" border="0" alt="Commune IV, Saint Augustin, 2013" data-caption="Commune IV, Saint Augustin, 2013" src="https://freight.cargo.site/w/1000/i/21925c0685e6c5435dd9e870452c035dd1156da79b72ffd48e545495f120bb5b/Christopher-Littlewood-Dwelling-in-Madagascar38.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/ccb087d9ae456cf1a8afc10110a658660175d78a6b69b1b5b91c57993c087ad8/Christopher-Littlewood-Dwelling-in-Madagascar2.jpg" data-mid="227638038" border="0" alt="Commune I, Saint Augustin, 2013" data-caption="Commune I, Saint Augustin, 2013" src="https://freight.cargo.site/w/1000/i/ccb087d9ae456cf1a8afc10110a658660175d78a6b69b1b5b91c57993c087ad8/Christopher-Littlewood-Dwelling-in-Madagascar2.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/9fd20b639d41ff0bbe238597e32c36ac7f3ce2831d5912856a0ff954478c2a9c/Christopher-Littlewood-Dwelling-in-Madagascar8.jpg" data-mid="103229743" border="0" alt="Abandoned Home, Ilakaka, 2013" data-caption="Abandoned Home, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/9fd20b639d41ff0bbe238597e32c36ac7f3ce2831d5912856a0ff954478c2a9c/Christopher-Littlewood-Dwelling-in-Madagascar8.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/4f450e2123496dac5c8d19f0adf6a7f1a22922441109628c409be6871a61c26a/Christopher-Littlewood-Dwelling-in-Madagascar7.jpg" data-mid="227641004" border="0" alt="Quarry Shelter, Toamasina, 2013" data-caption="Quarry Shelter, Toamasina, 2013" src="https://freight.cargo.site/w/1000/i/4f450e2123496dac5c8d19f0adf6a7f1a22922441109628c409be6871a61c26a/Christopher-Littlewood-Dwelling-in-Madagascar7.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/92b958ae86b4dd4e76d91f628b1e3c91e4a0cb346841bb2d29a14b8ea21fdd5d/Christopher-Littlewood-Dwelling-in-Madagascar1.jpg" data-mid="227435569" border="0" alt="Gemstone Mining Town I, Ilakaka, 2013" data-caption="Gemstone Mining Town I, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/92b958ae86b4dd4e76d91f628b1e3c91e4a0cb346841bb2d29a14b8ea21fdd5d/Christopher-Littlewood-Dwelling-in-Madagascar1.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f9b3df3df78f27a311b63037b9156a7eb0085f3d9253368e8f4f0ce0c38bca3f/Christopher-Littlewood-Dwelling-in-Madagascar5.jpg" data-mid="154924745" border="0" alt="Gemstone Mining Town IV, Ilakaka, 2013" data-caption="Gemstone Mining Town IV, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/f9b3df3df78f27a311b63037b9156a7eb0085f3d9253368e8f4f0ce0c38bca3f/Christopher-Littlewood-Dwelling-in-Madagascar5.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6fc8c07028749ff99edf6ae1a9daa48d766cca14ed366efefd992d7e641a41e8/Christopher-Littlewood-Dwelling-in-Madagascar4.jpg" data-mid="119570992" border="0" alt="Gemstone Mining Town III, Ilakaka, 2013" data-caption="Gemstone Mining Town III, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/6fc8c07028749ff99edf6ae1a9daa48d766cca14ed366efefd992d7e641a41e8/Christopher-Littlewood-Dwelling-in-Madagascar4.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/a475632f7d576cd6d29f891ab342ac395a03720ddc31412073bb297f615d5cab/Christopher-Littlewood-Dwelling-in-Madagascar3.jpg" data-mid="227647924" border="0" alt="Gemstone Mining Town II, Ilakaka, 2013" data-caption="Gemstone Mining Town II, Ilakaka, 2013" src="https://freight.cargo.site/w/1000/i/a475632f7d576cd6d29f891ab342ac395a03720ddc31412073bb297f615d5cab/Christopher-Littlewood-Dwelling-in-Madagascar3.jpg" /&#62;
&#60;img width="1300" height="1300" width_o="1300" height_o="1300" data-src="https://freight.cargo.site/t/original/i/3d408f14aeb23e26e1303ec09b2e88ea1a7dea12882b77795b79f2f78c741578/Christopher-Littlewood-Dwelling-in-Madagascar6.jpg" data-mid="227707159" border="0" alt="Gold Panning Camp I, Ranomafana, 2013" data-caption="Gold Panning Camp I, Ranomafana, 2013" src="https://freight.cargo.site/w/1000/i/3d408f14aeb23e26e1303ec09b2e88ea1a7dea12882b77795b79f2f78c741578/Christopher-Littlewood-Dwelling-in-Madagascar6.jpg" /&#62;
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	<item>
		<title>Castle of Hope</title>
				
		<link>https://christopherlittlewood.com/Castle-of-Hope</link>

		<pubDate>Mon, 20 Jan 2020 12:04:15 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

		<guid isPermaLink="true">https://christopherlittlewood.com/Castle-of-Hope</guid>

		<description>
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/1a305b27e8a30b49acc90ea0256aacfcc28ad9da49ba2337a31453324e58317d/Christopher_Littlewood_Las_Pozas1.jpg" data-mid="124975664" border="0" alt="Bamboo Palace, Las Pozas, 2017" data-caption="Bamboo Palace, Las Pozas, 2017" src="https://freight.cargo.site/w/1000/i/1a305b27e8a30b49acc90ea0256aacfcc28ad9da49ba2337a31453324e58317d/Christopher_Littlewood_Las_Pozas1.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/449e764bcdf3045fc40631cb35e85be191b42751f094bf5387b3ec4ff3fbe2b6/Christopher_Littlewood_Las_Pozas2.jpg" data-mid="139094531" border="0" alt="The House With Three Stories That Could Be Five, Las Pozas, 2017" data-caption="The House With Three Stories That Could Be Five, Las Pozas, 2017" src="https://freight.cargo.site/w/1000/i/449e764bcdf3045fc40631cb35e85be191b42751f094bf5387b3ec4ff3fbe2b6/Christopher_Littlewood_Las_Pozas2.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/162635e503269eecf87d88d62786306c4766f643db9e3a8ff2f9b274c30e5200/Christopher_Littlewood_Las_Pozas4.jpg" data-mid="108695434" border="0" alt="Standing Stone, La Era Workshop, 2017" data-caption="Standing Stone, La Era Workshop, 2017" src="https://freight.cargo.site/w/1000/i/162635e503269eecf87d88d62786306c4766f643db9e3a8ff2f9b274c30e5200/Christopher_Littlewood_Las_Pozas4.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/9fbe6edf228e20dc052b7980b8637f22c38f5e4c28b83c91f46adfcf3571d2d8/Christopher_Littlewood_Las_Pozas5.jpg" data-mid="108695331" border="0" alt="Sun, La Era Workshop, 2017" data-caption="Sun, La Era Workshop, 2017" src="https://freight.cargo.site/w/1000/i/9fbe6edf228e20dc052b7980b8637f22c38f5e4c28b83c91f46adfcf3571d2d8/Christopher_Littlewood_Las_Pozas5.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/ad21172ce3b2f133fcb6d7c4310bc61f766e9af733a24f20ea6d804b83bf8fb2/Christopher_Littlewood_Las_Pozas6.jpg" data-mid="108695339" border="0" alt="Sketch, La Era Workshop, 2017" data-caption="Sketch, La Era Workshop, 2017" src="https://freight.cargo.site/w/1000/i/ad21172ce3b2f133fcb6d7c4310bc61f766e9af733a24f20ea6d804b83bf8fb2/Christopher_Littlewood_Las_Pozas6.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/09c24c1e9831f882038bae108f0d740e89dfc40203dc16c9ea154406e1941b0b/Christopher_Littlewood_Las_Pozas3.jpg" data-mid="115024772" border="0" alt="Stack, Xilitla, 2017" data-caption="Stack, Xilitla, 2017" src="https://freight.cargo.site/w/1000/i/09c24c1e9831f882038bae108f0d740e89dfc40203dc16c9ea154406e1941b0b/Christopher_Littlewood_Las_Pozas3.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/18ca704e320bd3ea673cce1f7013f792603281439ac2e46197dce455b0587aae/Christopher_Littlewood_Las_Pozas8.jpg" data-mid="108699877" border="0" alt="Castle, Xilitla, 2017" data-caption="Castle, Xilitla, 2017" src="https://freight.cargo.site/w/1000/i/18ca704e320bd3ea673cce1f7013f792603281439ac2e46197dce455b0587aae/Christopher_Littlewood_Las_Pozas8.jpg" /&#62;
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/40011cf1b06de5918ff28dbb94ff284744cbdb85e369a7f91d23ceb646ce2b5c/Christopher_Littlewood_Las_Pozas7.jpg" data-mid="115026655" border="0" alt="Fruit, La Era Workshop, 2017" data-caption="Fruit, La Era Workshop, 2017" src="https://freight.cargo.site/w/1000/i/40011cf1b06de5918ff28dbb94ff284744cbdb85e369a7f91d23ceb646ce2b5c/Christopher_Littlewood_Las_Pozas7.jpg" /&#62;



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	<item>
		<title>Oliver Raymond Barker</title>
				
		<link>https://christopherlittlewood.com/Oliver-Raymond-Barker</link>

		<pubDate>Tue, 31 Jan 2023 11:25:09 +0000</pubDate>

		<dc:creator>Christopher Littlewood</dc:creator>

		<guid isPermaLink="true">https://christopherlittlewood.com/Oliver-Raymond-Barker</guid>

		<description>
	Promontory of the Sanctuaryby Chris LittlewoodExhibition text for Oliver Raymond Barker, Trinity NŌUA, Bodø, Norway, 2022

	

	
&#60;img width="1903" height="1400" width_o="1903" height_o="1400" data-src="https://freight.cargo.site/t/original/i/a505eec97fda995cc08c9a4c54b27ce63cd1e8926660c3981b54be0303fddb3f/Oliver-Raymond-Barker-Trinty-essay.jpg" data-mid="204313859" border="0" alt="Exhibition text for Oliver Raymond Barker, Trinity " data-caption="Exhibition text for Oliver Raymond Barker, Trinity " src="https://freight.cargo.site/w/1000/i/a505eec97fda995cc08c9a4c54b27ce63cd1e8926660c3981b54be0303fddb3f/Oliver-Raymond-Barker-Trinty-essay.jpg" /&#62;
&#60;img width="1903" height="1400" width_o="1903" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c36bce906db65405ae41b8027dd7d5981f9dd5c335c277f275eea8d56433ee63/Oliver-Raymond-Barker-Trinty-essay2.jpg" data-mid="204313860" border="0" alt="Exhibition text for Oliver Raymond Barker, Trinity " data-caption="Exhibition text for Oliver Raymond Barker, Trinity " src="https://freight.cargo.site/w/1000/i/c36bce906db65405ae41b8027dd7d5981f9dd5c335c277f275eea8d56433ee63/Oliver-Raymond-Barker-Trinty-essay2.jpg" /&#62;
&#60;img width="1907" height="1400" width_o="1907" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0e926d8624e07213035d8b811c2dd4e5cf264bdf71f65ebbaf8f091842a71ee7/Oliver-Raymond-Barker-Trinty-installationview-NOUA.jpg" data-mid="166918394" border="0" alt="Oliver Raymond Barker, Trinity, NOUA Bod&#38;oslash;, Norway, 2022" data-caption="Oliver Raymond Barker, Trinity, NOUA Bodø, Norway, 2022" src="https://freight.cargo.site/w/1000/i/0e926d8624e07213035d8b811c2dd4e5cf264bdf71f65ebbaf8f091842a71ee7/Oliver-Raymond-Barker-Trinty-installationview-NOUA.jpg" /&#62;
&#60;img width="1800" height="1324" width_o="1800" height_o="1324" data-src="https://freight.cargo.site/t/original/i/0c080cb7aa3a115e99276a249d7543a984c7d21645fb0b8c1b300811a7274596/Oliver-Raymond-Barker-Trinty-installationview4-NOUA.jpg" data-mid="204299999" border="0" alt="Oliver Raymond Barker, Trinity, NOUA Bod&#38;oslash;, Norway, 2022" data-caption="Oliver Raymond Barker, Trinity, NOUA Bodø, Norway, 2022" src="https://freight.cargo.site/w/1000/i/0c080cb7aa3a115e99276a249d7543a984c7d21645fb0b8c1b300811a7274596/Oliver-Raymond-Barker-Trinty-installationview4-NOUA.jpg" /&#62;
&#60;img width="1907" height="1400" width_o="1907" height_o="1400" data-src="https://freight.cargo.site/t/original/i/dcc9dc6048f3e6f969174a84c8959233744fb4c89300a633cb716b1f6d110931/Oliver-Raymond-Barker-Trinty-installationview23-NOUA.jpg" data-mid="166920393" border="0" alt="Oliver Raymond Barker, Trinity, NOUA Bod&#38;oslash;, Norway, 2022" data-caption="Oliver Raymond Barker, Trinity, NOUA Bodø, Norway, 2022" src="https://freight.cargo.site/w/1000/i/dcc9dc6048f3e6f969174a84c8959233744fb4c89300a633cb716b1f6d110931/Oliver-Raymond-Barker-Trinty-installationview23-NOUA.jpg" /&#62;
&#60;img width="1907" height="1400" width_o="1907" height_o="1400" data-src="https://freight.cargo.site/t/original/i/0deaf3558cb5f548ccc3c42dc45bb6c34bea68daa215dd02fe767ee8d540b114/Oliver-Raymond-Barker-Trinty-installationview2-NOUA.jpg" data-mid="166919784" border="0" alt="Oliver Raymond Barker, Trinity, NOUA Bod&#38;oslash;, Norway, 2022" data-caption="Oliver Raymond Barker, Trinity, NOUA Bodø, Norway, 2022" src="https://freight.cargo.site/w/1000/i/0deaf3558cb5f548ccc3c42dc45bb6c34bea68daa215dd02fe767ee8d540b114/Oliver-Raymond-Barker-Trinty-installationview2-NOUA.jpg" /&#62;



	

    


Stretching across two archipelagos, with over 150 islands, 20 estuaries and thousands of lochs and tidal inlets, the topography of Scotland's west coast is so heavily indented that it appears to splinter and dissolve into the North Atlantic. Seemingly composed of land and water in equal measure, it is hard to imagine a wilder place in Britain or Ireland. In his The Wild Places, nature writer Robert Macfarlane considers the origin story of the peregrini – Celtic Christian monks of the fifth and sixth centuries who journeyed to such places – as a waymark for his own peregrinations in search of wildness. Summoning these early travellers, he describes how "Monks, anchorites, solitaries and other devout itinerants began to travel in their thousands to the bays, forests, promontories, mountain-tops and islands of the Atlantic Litoral." Leaving home without saying goodbye, never to return, the peregrini forsook inhabited places where every feature was already mapped and named. They sought a life of hardship and contemplation, where isolation was a prerequisite for their devotion to Christ. As Macfarlane eloquently expresses: "their travels to these wild places reflected their longing to achieve correspondence between belief and place, between inner and outer landscapes."1 &#38;nbsp;
One such wild place was found on the peninsula now named Rosneath. Flanked to the west by Loch Long, to the east by Gare Loch and to the south by the Firth of Clyde, this promontory delineates a three-pronged confluence between waterways. It became the ultimate resting place for Saint Modan, who dwelled and worshipped there as a hermit – in time inspiring pilgrimages of healing to its wells and chapels to be built in his name. Whilst remote, it would have been attractive not only for its seclusion but also its navigability; so much surrounded by water that it was characterised as an island in ancient records.2 Together with wooded glens and grassy knolls, the combination of expanse and enclosure provided the ideal setting to gain spiritual enlightenment. To trace the etymology of Rosneath's name reveals various readings. One Gaelic version applies most readily here: "Rossneveth"3, meaning promontory of the sanctuary. Rooted within its very name, the idea of sheltering persists, whilst evidence of worship and burial linked to Saint Modan remains embedded within its tangible heritage.
 

Other layers are a testament to an entirely different kind of energy, albeit still connected with the notion of shelter. Dominating the present-day landscape, defensive military architecture on both sides of the peninsula is all-pervasive. Perimeter fencing, hi-tech fortifications and sodium lighting exude a sense of paranoia and control. Harboured on the northern shore of Gare Loch, Faslane naval base is home to Trident: four nuclear-powered submarines designed for carrying ballistic missiles with nuclear warheads. To the west, at the Coulport naval base, the nuclear warheads are stored inside reinforced concrete bunkers. Making up what could be considered the most contentious site in the UK, the munitions on constant rotation in these waters carry a terrifyingly destructive force. Writing extensively about the UK's nuclear deterrent in 2006, James Buchan explains how each missile can carry twelve nuclear warheads into space, dropping each on a different target with one hundred kilotons of explosive force. "In this Armageddon of the imagination, a single British submarine at Faslane could obliterate 1,500 Hiroshimas"4, he exclaims.
Evolving from a sacred pilgrimage site to one of western Europe's most heavily militarised districts, Rosneath resembles a theatre set where contradicting social imaginaries have played out. Somehow bridging this gap, for the past forty years, activists connected with resistance against the military installations have taken part in non-violent direct actions. Part of a global anti-nuclear movement, they passionately oppose the political ideologies the sites represent. With its makeshift dwellings, the nearby Peace Wood Camp has provided refuge for waves of itinerant activists. Among them was Nick Hunt, whose words intersperse the photographs in this exhibition. Interweaving the tales of Saint Modan, a nuclear submarine, and his own experience at Faslane, Hunt's text is partly factual, partly mythical. Strands of narrative are interlaced in a way that seems fluid. They appear and disappear, submerge and surface again. In this hybrid story, Saint Modan – or rather his spirit – wanders the shoreline, passing activists as they return from an encounter with "that shadow in the Water". The submarine, always dark, always ominous, is described elsewhere as a "monstrous mass" whose "brutal, sleek intelligence seems evolved and not designed."5
Adding to the rich lineage of pilgrimages and the subsequent nature writing and memoirs this landscape has inspired, visual artist Oliver Raymond Barker has contributed to this legacy. Setting off for the Cove Arts Centre in 2018 with a camera obscura in his backpack, he used elements from Rosneath's disparate histories as a framework to build Trinity around. Traversing the peninsula, he sought a kind of communion with the landscape, ritually setting up his tent and equipment. A process he likens to a conversation with an old friend. By modifying the tent with a simple aperture at its apex, the artist allows light to pour down through a primitive periscope onto a sheet of photographic paper, reacting with the silver-halide emulsion to expose an image. The structure becomes both a camera-body and a sanctuary for the artist's body. The light – or its absence – as it bounces off the surrounding environment envelopes both.Suppose photography is the effect of light and time rendered on a substrate. In that case, camera obscuras and camera-less techniques such as photograms are arguably its purest form. Not even film grain comes between a subject and its representation. While this might offer experimental possibilities for some artists in studio settings, what distinguishes Raymond Barker's technique is the transportable nature of his setup. Enabling him to roam freely and respond to shifting nuances, this mode of practice embraces a considerable element of happenstance. Combined with the artist's intuitive reading of a landscape, it allows for moments of total immersion in a scene. As a result, this might be as close as photography gets to an unmediated conversation with the natural world. We often talk about photography in terms of taking or capturing. However, in the case of Trinity, it feels closer to infusing or distilling. If so, this might support the artist's invocation as he seeks to convey the "essence of place".


	
Camera-less photography often doesn't require the outside world as a subject, focusing more on the qualities of filtered light or direct alchemic manipulation of photographic papers. As the title for a 2015 exhibition at the Getty Museum in LA suggests, the primary focus of this genre is "Light, Paper, Process"6. In that show, seven contemporary American artists demonstrate what the exhibition's curator Virginia Heckert describes as an infatuation with obsolete darkroom materials. Often going to great lengths in sourcing expired papers and chemicals. Collectively they are defined by Heckert in terms of their "willingness to embrace accident and chance and to see delayed results". Arising from the push away from conventional photography and its dependency on informational content, abstraction is their predominant language. It doesn't mean that works of this nature don't have anything to say about the world outside the studio window. By eschewing today's prevalent digital technologies, they represent a comment on the expectation of, if not an obsession with, ultra-realism within the medium at large.
Britain has also produced artists seeking to engage with these fundamental questions. Shadowcatchers, which Raymond Barker considers a key reference point, was a 2011 exhibition highlighting camera-less work at the V&#38;amp;A Museum in London. It was recognised by Harriet Riches for its emphasis on mysterious and somewhat mystical qualities, symbolism, and the fragments and figments of dreams and the subconscious7. In an introductory text published in the Trinity book, Shadowcatchers curator Martin Barnes echoes this sentiment, describing how Raymond Barker's image-making deals as much with the invisible as the visible. For Barnes, the primal quality of the images gives "the impression of an eye opening from slumber onto a world that is not yet fully formed, a realm that is intuited rather than understood."8 Trinity achieves this through the marrying, if not melting together of its visual themes: the embracing of what might usually be seen as faults: light leaks and uneven chemistry; lengthy exposures registering ghostly movement; and the disorientation of inverted and mirrored variations. Not to mention the spiritual yet somewhat dark underlying layers of its subject matter. That said, there's a different quality to the images that is difficult to condense in such definitive terms - an unexplainable fifth element.
As an example, Cove Park Canopy, silver gelatin negative reads as both representational and abstract – almost in equal measure. Readable as a bracken-clad slope, the foreground anchors the image. But only just. The darkened top half, where the canopy and sky should be, loosens its resemblance to our understanding of the physical world. Thus flipping the image into an otherworldly dimension. The effect is so beguiling it could conceivably be a river estuary seen from above. Its network of tributaries folded vertically. Or, like the image that a recent anthology of Scottish nature writing conjures through its title, it evokes "Antlers of Water"9. With two possible perspectives coexisting in the same image, it's hard to believe the artist achieved such a layered result with a single exposure.

Like those Christian pilgrims whose footsteps Raymond Barker was echoing, his was a quest to escape the world's complexities. This is photography as a spiritual act – itself possessing many qualities associated with activities such as prayer and meditation10. Yet, as unburdened as this analogue approach may be, it ultimately strips its subject of its materiality – like all photography does. But Raymond Barker knows this. Punctuating the exhibition, a sculptural element comprising slate fragments manifest the prevailing rock of the peninsula. Engraved in the manner of an ancient memorial stone, one piece is inscribed with the project's title, Trinity. In this context, the word takes on multiple meanings: a play on the name of the UK's nuclear programme, Trident; a reference to the Christian doctrine of the Holy Trinity; and a symbol of the three strands of narrative that the photographs and text engage with. In an instance of synchronicity, the artist's research also uncovered a strange fact. Located in New Mexico, a stone monument commemorates where the first nuclear device was exploded in 1945. Named by the theoretical physicist J. Robert Oppenheimer (the father of the atomic bomb), its plaque reads 'Trinity Site'. 
At a time when much of the paranoia surrounding the Cold War period has resurfaced. When arguably, too many of us are seeking solace in the sanctuary of virtual worlds. When our relationship with the sacredness of the natural world is becoming stretched beyond repair. We need reminding, no matter how obliquely, of the simple power of noticing. By these photographs giving equal emphasis to their three elements, if not more representation of the natural forces at play, the work becomes a quietly political statement. Likewise, in Nick Hunt's story, the submarine's power is more than equalled by Modan's euphoria at the elemental force of nature. At one point, "he falls to his knees with the immensity and stares upon the awesome light that floods the shadows of the world". Moreover, by delving into deep geological time, a scale and context arise where the destructive force of Trident is dwarfed by a creational one: "There were glaciers here once that tore strips from the land. Then the sea flooded in. It travels in their absence."

1Robert Macfarlane, The Wild Places, Penguin Books, 2008
2William Charles Maughan, Rosneath Past and Present, 1893 
3Robert Herbert Story, Saint Modan of Rosneath,1877

4James Buchan,Trident, Granta, 2006

5Nick Hunt,Trinity, Loose Joints, 2021

6Virginia Heckert, Light, Paper, Process: Reinventing Photography, The J. Paul Getty Museum, 2015
7Harriet Riches, "Diabolical, But Beautiful", After Image, 2011

8Martin Barnes, "Not Negative", Trinity, Loose Joints, 2021
9Antlers of Water: Writing on the Nature and Environment of Scotland, Kathleen Jamie (editor), Canongate, 2020

10Laura Elizabeth Garza-Meza, Photography as a spiritual technique, 2013installation images: Dan MarinerVideo: Cato Lauvli


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